Composer

:

Diego Ortiz

Genre

:

Miscellaneous

Style

:

Ricercar

Compose Date

:

before 1553

Average_duration

:

2:06

Diego Ortiz was a Spanish composer and music theorist who lived during the Renaissance period. He is best known for his collection of music titled "Trattado de Glosas," which was published in 1553. This collection contains a series of variations on popular dance tunes of the time, including the "Recercada No. 3 sobre el passamezzo moderno." The "Recercada No. 3 sobre el passamezzo moderno" is a piece for solo viola da gamba. It was composed in the mid-16th century and is part of Ortiz's "Trattado de Glosas." The passamezzo moderno was a popular dance tune of the time, and Ortiz's recercada is a set of variations on this tune. The piece is divided into several movements, each of which explores different variations on the passamezzo moderno. The first movement is a simple statement of the theme, followed by a series of variations that gradually become more complex and ornate. The second movement features a more elaborate version of the theme, with intricate ornamentation and virtuosic flourishes. The third movement is a slower, more contemplative variation, with a more lyrical melody and a more subdued accompaniment. The final movement is a lively and energetic variation, with fast runs and intricate rhythms. One of the characteristics of Ortiz's music is his use of glosas, or musical embellishments. These are ornamental flourishes that are added to the melody, creating a more complex and intricate texture. Ortiz's "Trattado de Glosas" is a collection of variations on popular dance tunes of the time, and the "Recercada No. 3 sobre el passamezzo moderno" is a prime example of his use of glosas. Overall, the "Recercada No. 3 sobre el passamezzo moderno" is a beautiful and intricate piece of music that showcases Ortiz's skill as a composer and his mastery of the viola da gamba. Its use of glosas and variations on a popular dance tune make it a prime example of Renaissance music and a testament to Ortiz's legacy as a composer and music theorist.

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