Flor Peeters
Concert Piece for organ, Op. 52a
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Gedymin GrubbaJanuary 1, 2010
Works Info
Composer:Flor PeetersGenre:KeyboardStyle:KeyboardAverage_duration:6:07Flor Peeters' Concert Piece for organ, Op. 52a, was composed in 1956 and premiered on May 20th of the same year in the Saint-Rombouts Cathedral in Mechelen, Belgium. The piece is divided into three movements, each with its own distinct characteristics. The first movement, marked Allegro, is a lively and energetic piece that showcases the virtuosic capabilities of the organ. The movement begins with a fanfare-like introduction that sets the tone for the rest of the piece. The main theme is then introduced, which is characterized by its rhythmic drive and use of syncopation. The movement features several sections of imitative counterpoint, as well as a brief cadenza for the soloist. The second movement, marked Andante, is a more introspective and contemplative piece. The movement begins with a gentle melody played on the solo flute stop of the organ. This melody is then developed and expanded upon, with the addition of other stops and the use of chromatic harmonies. The movement builds to a climax before subsiding into a quiet and peaceful coda. The final movement, marked Allegro con fuoco, is a fiery and dramatic piece that brings the work to a thrilling conclusion. The movement begins with a toccata-like section that features rapid passagework and virtuosic flourishes. The main theme is then introduced, which is characterized by its driving rhythm and use of pedal tones. The movement features several sections of imitative counterpoint, as well as a brief cadenza for the soloist. The piece ends with a triumphant coda that brings the work to a thrilling conclusion. Overall, Peeters' Concert Piece for organ, Op. 52a, is a virtuosic and exciting work that showcases the capabilities of the organ as a solo instrument. The piece is characterized by its rhythmic drive, use of imitative counterpoint, and virtuosic flourishes. The work is a testament to Peeters' skill as a composer and his deep understanding of the capabilities of the organ.More....
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