Composer

:

Arthur Honegger

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1928

Publication Date

:

1928

Average_duration

:

1:36

"Sur le nom d'Albert Roussel" is a composition for solo piano by Arthur Honegger. It was composed in 1929 as a tribute to the French composer Albert Roussel, who was a friend and mentor to Honegger. The piece was premiered on May 22, 1929, at the Salle Gaveau in Paris, with Honegger himself as the pianist. The composition consists of three movements, each of which is based on a different musical theme. The first movement, marked "Allegro moderato," is based on a theme that is characterized by its rhythmic vitality and syncopated accents. The second movement, marked "Andante," is more lyrical in character, with a flowing melody that is accompanied by delicate arpeggios in the left hand. The final movement, marked "Allegro con fuoco," is the most virtuosic of the three, with rapid runs and arpeggios that showcase the pianist's technical skill. One of the most striking characteristics of "Sur le nom d'Albert Roussel" is its use of polytonality. Honegger was known for his experimentation with different tonalities, and in this piece, he combines multiple tonal centers to create a complex and harmonically rich sound. The use of polytonality also contributes to the piece's sense of rhythmic and harmonic tension, which is a hallmark of Honegger's style. Overall, "Sur le nom d'Albert Roussel" is a challenging and rewarding piece for pianists, showcasing Honegger's unique approach to harmony and rhythm. Its premiere in 1929 was a testament to Honegger's growing reputation as one of the most innovative composers of his time, and it remains a beloved work in the piano repertoire today.

More....