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Ferruccio Busoni
Etudes (8) (after J. B. Cramer, Op. 81; KÜ 5/4, KÜ II 10/7), KiV B53
Works Info
Composer
:
Ferruccio Busoni
Genre
:
Keyboard
Compose Date
:
1897
Publication Date
:
1897
Average_duration
:
18:23
Ferruccio Busoni's 'Etudes (8) (after J. B. Cramer, Op. 81; KÜ 5/4, KÜ II 10/7), KiV B53' is a set of eight piano etudes that were composed between 1917 and 1922. The work is based on the etudes of Johann Baptist Cramer, a German pianist and composer who lived in the late 18th and early 19th centuries. Busoni's etudes are considered to be some of the most challenging pieces in the piano repertoire, and they are often performed by virtuoso pianists. The 'Etudes (8)' were premiered in 1923 by Busoni himself, and they were published posthumously in 1925. The work is divided into eight movements, each of which is based on one of Cramer's original etudes. Busoni's etudes are not mere transcriptions of Cramer's works, but rather they are re-imaginings that incorporate Busoni's own unique style and techniques. The first movement, based on Cramer's Etude No. 1, is a study in finger independence and dexterity. The second movement, based on Cramer's Etude No. 2, is a study in arpeggios and chord progressions. The third movement, based on Cramer's Etude No. 3, is a study in legato playing and phrasing. The fourth movement, based on Cramer's Etude No. 4, is a study in staccato playing and finger control. The fifth movement, based on Cramer's Etude No. 5, is a study in double notes and octaves. The sixth movement, based on Cramer's Etude No. 6, is a study in trills and ornamentation. The seventh movement, based on Cramer's Etude No. 7, is a study in chromaticism and modulation. The final movement, based on Cramer's Etude No. 8, is a study in virtuosity and speed. Busoni's etudes are known for their complex harmonies, intricate rhythms, and demanding technical requirements. Overall, Busoni's 'Etudes (8)' are a testament to his skill as a composer and pianist. They are a challenging and rewarding set of pieces that showcase the full range of the piano's capabilities.
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