Composer

:

Johann Sebastian Bach

Genre

:

Keyboard

Style

:

Chorale Prelude

Compose Date

:

before 1723

Publication Date

:

1878

Average_duration

:

5:08

Johann Sebastian Bach's Trio super Allein Gott in der Höh sei Ehr, BWV 664 is a piece of music that was composed in the early 18th century. It is part of a larger collection of works known as the Orgelbüchlein, which is a collection of chorale preludes for the organ. The piece was likely composed in Weimar, where Bach was working as a court musician at the time. The premiere of Trio super Allein Gott in der Höh sei Ehr, BWV 664 is not known, as it was likely performed in a church setting rather than in a concert hall. However, it is believed that the piece was first performed sometime in the early 1700s. The piece is divided into three movements, each of which is based on the chorale tune "Allein Gott in der Höh sei Ehr" (To God on High Be Glory Given). The first movement is a trio in which the melody is played in the upper voice, while the lower voices provide a harmonic accompaniment. The second movement is a duet in which the melody is played in the upper voice and the lower voice provides a counterpoint. The third movement is a solo in which the melody is played in the right hand while the left hand provides a harmonic accompaniment. One of the characteristics of Trio super Allein Gott in der Höh sei Ehr, BWV 664 is its use of counterpoint. Bach was a master of counterpoint, and this piece showcases his skill in this area. The piece also demonstrates Bach's ability to create complex harmonies and textures using only a few voices. Overall, Trio super Allein Gott in der Höh sei Ehr, BWV 664 is a beautiful and intricate piece of music that showcases Bach's skill as a composer. Its use of counterpoint and complex harmonies make it a challenging piece for performers, but its beauty and complexity make it a beloved piece of music for audiences.

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