Composer

:

Francisco Correa de Arrauxo

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

9:07

Francisco Correa de Arrauxo was a Spanish composer and organist who lived during the 16th and 17th centuries. He is known for his contributions to the development of the Spanish keyboard music, particularly for his works for the organ. One of his most famous compositions is the 'Tiento y discurso de tercer tono', which was composed in the early 17th century. The 'Tiento y discurso de tercer tono' is a keyboard work that is written in the third tono, which is a mode that was commonly used in Spanish music during the Renaissance and Baroque periods. The piece is divided into two movements, the Tiento and the Discurso. The Tiento is a type of keyboard composition that was popular in Spain during the 16th and 17th centuries. It is characterized by its use of imitative counterpoint and its virtuosic passages. The Discurso, on the other hand, is a type of keyboard composition that is more improvisatory in nature. It is characterized by its use of free-flowing melodies and its use of ornamentation. The Tiento begins with a series of imitative passages that are played by the right hand. These passages are then repeated by the left hand, creating a sense of dialogue between the two hands. The piece then moves into a section that is characterized by its use of virtuosic passages. These passages are played by both hands and are designed to showcase the technical abilities of the performer. The Tiento then concludes with a return to the imitative passages that were heard at the beginning of the piece. The Discurso begins with a free-flowing melody that is played by the right hand. This melody is then embellished with a series of ornaments, including trills and mordents. The left hand then enters with a series of chords that provide a harmonic foundation for the melody. The piece then moves into a section that is characterized by its use of improvisation. The performer is given a great deal of freedom to explore different melodic and harmonic ideas, creating a sense of spontaneity and unpredictability. The Discurso then concludes with a return to the original melody, which is played with even more ornamentation than before. Overall, the 'Tiento y discurso de tercer tono' is a complex and challenging keyboard work that showcases the technical abilities of the performer. It is also a testament to the rich tradition of Spanish keyboard music that flourished during the Renaissance and Baroque periods.

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