Composer

:

Johann Sebastian Bach

Genre

:

Keyboard

Style

:

Chorale Prelude

Compose Date

:

before 1723

Publication Date

:

1878

Average_duration

:

3:03

Johann Sebastian Bach's "Nun komm der Heiden Heiland (IV), BWV 661" is a chorale prelude for organ. It was composed in Weimar in 1714 and is based on the hymn "Nun komm der Heiden Heiland" by Martin Luther. The piece was premiered during Bach's tenure as court organist in Weimar. The piece is divided into three movements. The first movement is a slow and solemn introduction, featuring a descending chromatic line in the bass that sets the tone for the piece. The second movement is a lively fugue, with the melody of the hymn presented in a contrapuntal texture. The third movement is a quiet and reflective coda, featuring a descending scale in the bass that brings the piece to a peaceful close. The characteristics of "Nun komm der Heiden Heiland (IV), BWV 661" reflect Bach's mastery of counterpoint and his ability to create complex textures from simple melodies. The piece is notable for its use of chromaticism, which adds a sense of tension and drama to the music. The fugue in the second movement is particularly impressive, with Bach demonstrating his skill at weaving together multiple voices in a complex and intricate pattern. Overall, "Nun komm der Heiden Heiland (IV), BWV 661" is a beautiful and powerful piece of music that showcases Bach's genius as a composer. Its timeless beauty and complexity continue to captivate audiences today, making it a beloved work in the organ repertoire.

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