Composer

:

Giovanni Pergolesi

Genre

:

Vocal

Style

:

Vocal Music

Compose Date

:

ca. 1725 - 1735

Average_duration

:

2:52

Giovanni Battista Pergolesi was an Italian composer of the Baroque era, born in 1710 in Jesi, Italy. He is best known for his operas and sacred music, but he also composed a number of chamber works, including the song "Tre giorni son che nina." "Tre giorni son che nina" is a chamber cantata for soprano and continuo, composed by Pergolesi in the mid-1730s. The text is by an unknown author and tells the story of a young woman named Nina who is waiting for her lover to return. The cantata is divided into three movements, each of which explores a different aspect of Nina's emotions. The first movement, marked "Largo," is a mournful aria in which Nina laments the absence of her lover. The music is slow and melancholy, with long, flowing phrases that emphasize the sadness of the text. The soprano sings of the "cruel fate" that has separated her from her beloved, and the continuo provides a simple, repetitive accompaniment that underscores the sense of loss. The second movement, marked "Allegro," is a more upbeat aria in which Nina expresses her hope that her lover will return soon. The music is faster and more energetic, with lively rhythms and playful melodic lines. The soprano sings of the "sweet joy" that she will feel when her lover comes back, and the continuo provides a lively, dance-like accompaniment that reflects the optimism of the text. The final movement, marked "Largo," is a tender aria in which Nina imagines the moment when she will be reunited with her lover. The music is slow and gentle, with delicate, expressive phrases that convey the intimacy of the scene. The soprano sings of the "sweetest kisses" that she will give to her beloved, and the continuo provides a soft, supportive accompaniment that enhances the emotional impact of the text. Overall, "Tre giorni son che nina" is a beautiful example of Pergolesi's skill as a composer of chamber music. The cantata is characterized by its expressive melodies, sensitive accompaniment, and emotional depth, and it remains a beloved work in the repertoire of Baroque vocal music.

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