Composer

:

Carl Philipp Emanuel Bach

Genre

:

Keyboard

Style

:

Rondo

Compose Date

:

1779

Publication Date

:

1781

Average_duration

:

5:44

Carl Philipp Emanuel Bach's Rondo No. 3 in F major, H. 266, Wq. 57/5 is a solo keyboard piece composed in the mid-18th century. The exact date of composition is unknown, but it is believed to have been written between 1765 and 1780. The piece was first published in 1781 as part of Bach's collection of keyboard works, "Sammlung von Clavierstücken für Kenner und Liebhaber" (Collection of Keyboard Pieces for Connoisseurs and Amateurs). The Rondo No. 3 in F major is a single-movement work that follows the traditional rondo form. The piece begins with a lively and cheerful theme in F major, which is then followed by a series of contrasting episodes. These episodes explore different keys and moods, including a minor section that provides a moment of introspection before returning to the bright and joyful main theme. The piece concludes with a restatement of the main theme, bringing the work to a satisfying close. One of the most notable characteristics of the Rondo No. 3 in F major is its use of unexpected harmonic shifts and modulations. Bach frequently employs chromaticism and sudden key changes to create a sense of surprise and unpredictability in the piece. Additionally, the work features a virtuosic keyboard writing that showcases Bach's skill as a performer and composer. The piece requires a high level of technical proficiency and dexterity, particularly in the fast and intricate passages that appear throughout the work. Overall, the Rondo No. 3 in F major is a lively and engaging keyboard work that demonstrates Bach's mastery of the rondo form and his innovative approach to harmony and keyboard writing. Its premiere is unknown, but it has since become a popular piece in the keyboard repertoire and is frequently performed and recorded by pianists and harpsichordists alike.

More....