Composer

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Heinrich Scheidemann

Genre

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Keyboard

Style

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Keyboard

Average_duration

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16:45

Heinrich Scheidemann was a German composer and organist who lived from 1595 to 1663. He was a prominent figure in the North German organ school, which was a group of composers and performers who were active in the 17th century in the area around Hamburg. Scheidemann's Magnificat in tone 3 is one of his most famous works. The Magnificat in tone 3 was composed by Scheidemann in the early 17th century, although the exact date is not known. It is a setting of the Magnificat, which is a hymn of praise to the Virgin Mary that is found in the Gospel of Luke. The Magnificat has been set to music by many composers over the centuries, and Scheidemann's setting is one of the most famous. The Magnificat in tone 3 is divided into six movements, each of which corresponds to a different section of the Magnificat text. The first movement is an instrumental prelude, which sets the tone for the rest of the work. The second movement is a setting of the first part of the Magnificat text, which begins with the words "My soul magnifies the Lord." This movement is characterized by its lively rhythms and joyful melodies. The third movement is a setting of the second part of the Magnificat text, which begins with the words "He has shown strength with his arm." This movement is more subdued than the previous one, with a slower tempo and more contemplative melodies. The fourth movement is a setting of the third part of the Magnificat text, which begins with the words "He has put down the mighty from their thrones." This movement is characterized by its dramatic contrasts between loud and soft passages. The fifth movement is a setting of the fourth part of the Magnificat text, which begins with the words "He has filled the hungry with good things." This movement is characterized by its flowing melodies and gentle rhythms. The final movement is a setting of the fifth part of the Magnificat text, which begins with the words "He has helped his servant Israel." This movement is a joyful and triumphant conclusion to the work, with lively rhythms and exultant melodies. Overall, Scheidemann's Magnificat in tone 3 is a masterful example of the North German organ school style. It is characterized by its lively rhythms, joyful melodies, and dramatic contrasts between loud and soft passages. The work is a testament to Scheidemann's skill as a composer and organist, and it remains a beloved piece of music to this day.

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