Composer

:

Nicolas Gombert

Genre

:

Choral

Style

:

Choral

Average_duration

:

7:09

Nicolas Gombert's 'Salve Regina Diversi Diversa Orant' is a sacred choral work that was composed during the Renaissance period. The piece was written in the 16th century, and it is believed to have been premiered in the early 1540s. The work is divided into six movements, each of which is characterized by its own unique musical style and structure. The first movement of 'Salve Regina Diversi Diversa Orant' is a polyphonic setting of the Salve Regina text. The piece begins with a simple melody that is sung by the sopranos, which is then joined by the other voices in a complex web of counterpoint. The second movement is a setting of the text "Ad te clamamus, exsules filii Hevae," which is sung by the altos. This movement is characterized by its use of imitative polyphony, in which the voices take turns singing the same melody. The third movement of the piece is a setting of the text "Eia ergo, advocata nostra," which is sung by the tenors. This movement is characterized by its use of homophonic texture, in which all of the voices sing the same melody at the same time. The fourth movement is a setting of the text "Et Jesum, benedictum fructum ventris tui," which is sung by the basses. This movement is characterized by its use of a descending chromatic melody, which creates a sense of tension and release. The fifth movement of 'Salve Regina Diversi Diversa Orant' is a setting of the text "O clemens, o pia, o dulcis Virgo Maria," which is sung by the full choir. This movement is characterized by its use of a simple, chant-like melody that is sung in unison by all of the voices. The final movement of the piece is a setting of the text "Ora pro nobis, sancta Dei Genitrix," which is sung by the full choir. This movement is characterized by its use of a complex web of counterpoint, in which the voices weave in and out of each other in a constantly shifting pattern. Overall, 'Salve Regina Diversi Diversa Orant' is a complex and intricate work that showcases Gombert's mastery of Renaissance polyphony. The piece is characterized by its use of complex counterpoint, imitative polyphony, and homophonic texture, as well as its use of chromaticism and simple chant-like melodies. The work remains a testament to Gombert's skill as a composer and his contribution to the development of Renaissance choral music.

More....