Composer

:

Attilio Ariosti

Genre

:

Opera

Compose Date

:

1705

"Le profezie d'Eliseo nell'assedio di Samaria" is an opera composed by Attilio Ariosti, an Italian composer, and cellist. The opera was composed in 1710 and premiered in London in the same year. It is a baroque opera that tells the story of the biblical prophet Elisha and his prophecies during the siege of Samaria. The opera is divided into three acts and features a libretto by Francesco Silvani. The story is set in Samaria, where the Israelites are under siege by the Syrians. Elisha, the prophet, is called upon to help the Israelites and prophesies that the siege will end and that the Syrians will be defeated. The opera also features a love story between the Israelite soldier, Joram, and the Syrian princess, Adama. The first act of the opera begins with the Israelites lamenting their situation and calling upon Elisha for help. Elisha prophesies that the siege will end and that the Syrians will be defeated. Joram and Adama meet and fall in love, but their love is complicated by the fact that they are on opposite sides of the conflict. The second act features the Syrians planning their attack on the Israelites. Elisha prophesies that the Syrians will be defeated and that the Israelites will be saved. Joram and Adama continue to struggle with their love for each other and their loyalty to their respective sides. The third act features the battle between the Syrians and the Israelites. Elisha's prophecies come true, and the Syrians are defeated. Joram and Adama are reunited, and the opera ends with a celebration of the Israelites' victory. "Le profezie d'Eliseo nell'assedio di Samaria" is a typical baroque opera, featuring recitatives, arias, and choruses. The music is characterized by its ornate melodies, complex harmonies, and use of counterpoint. The opera also features a variety of instruments, including strings, woodwinds, and brass. Overall, "Le profezie d'Eliseo nell'assedio di Samaria" is a compelling opera that tells a biblical story of prophecy, love, and war. Its premiere in London in 1710 was well-received, and it remains a popular opera in the baroque repertoire.

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