Othmar Schoeck
Notturno (5), Op. 47
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Composer:Othmar SchoeckGenre:VocalStyle:NocturneCompose Date:1931Publication Date:1953First Performance:May 18, 1933Average_duration:40:01Movement_count:5Movement ....Othmar Schoeck's 'Notturno (5), Op. 47' is a composition for solo voice and piano. It was composed in 1931 and premiered in Zurich, Switzerland on January 17, 1932. The piece consists of five movements, each with its own unique characteristics. The first movement, 'Nachtstück,' is a slow and melancholic piece that sets the tone for the rest of the composition. The piano accompaniment is sparse, allowing the voice to take center stage and convey the sense of loneliness and isolation that permeates the piece. The second movement, 'Abendlandschaft,' is more upbeat and features a more complex piano accompaniment. The voice sings of the beauty of the evening landscape, with the piano providing a rich and colorful backdrop. The third movement, 'Mondnacht,' is a hauntingly beautiful piece that features a delicate piano accompaniment and a soaring vocal melody. The voice sings of the moonlit night, with the piano providing a sense of mystery and wonder. The fourth movement, 'Nachtlied,' is a slow and mournful piece that features a simple piano accompaniment and a plaintive vocal melody. The voice sings of the sadness and despair that can come with the night, with the piano providing a sense of resignation and acceptance. The final movement, 'Nachtstück II,' is a return to the melancholic mood of the first movement. The piano accompaniment is once again sparse, allowing the voice to convey a sense of longing and sadness. The piece ends on a quiet and introspective note, leaving the listener with a sense of contemplation and reflection. Overall, 'Notturno (5), Op. 47' is a beautiful and evocative composition that captures the mood and atmosphere of the night. Schoeck's use of sparse piano accompaniment and soaring vocal melodies creates a sense of loneliness, beauty, and wonder that is both haunting and unforgettable.More....
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