Composer

:

Basil Harwood

Genre

:

Choral

Style

:

Magnificat

Average_duration

:

3:57

Basil Harwood's 'Nunc dimittis for chorus & organ in E minor' is a beautiful and moving piece of choral music that was composed in the early 20th century. The piece was first premiered in 1912, and it quickly became one of Harwood's most popular works. The 'Nunc dimittis' is a setting of the Canticle of Simeon, which is a hymn of praise that is traditionally sung at the end of the day. The piece is divided into three movements, each of which has its own unique characteristics. The first movement is marked 'Andante con moto', and it begins with a gentle organ introduction that sets the tone for the entire piece. The choir then enters with a simple melody that is repeated throughout the movement. The harmonies are rich and complex, and the overall effect is one of peacefulness and serenity. The second movement is marked 'Allegro moderato', and it is much more lively and energetic than the first. The choir sings a series of intricate and challenging melodies, while the organ provides a driving accompaniment. The harmonies are more dissonant in this movement, which creates a sense of tension and urgency. The final movement is marked 'Andante sostenuto', and it is the most emotional and powerful of the three. The choir sings a soaring melody that is accompanied by lush, sweeping harmonies from the organ. The piece builds to a dramatic climax, and then ends with a quiet, peaceful resolution. Overall, Harwood's 'Nunc dimittis' is a stunning piece of choral music that showcases his mastery of harmony, melody, and form. Its three movements each have their own unique characteristics, but they all work together to create a cohesive and deeply moving musical experience.

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