Composer

:

Luigi Nono

Genre

:

Chamber

Style

:

Electro-Acoustic Music

Compose Date

:

1989

Average_duration

:

55:11

La lontananza nostalgica utopica futura is a composition for solo violin and magnetic tape, composed by Luigi Nono in 1988. The piece was premiered on September 10, 1988, at the Venice Biennale by the violinist Gidon Kremer. The composition consists of 13 movements, each with its own unique character and mood. The movements are not played in a linear order, but rather the performer chooses the order in which they are played. The movements are connected by electronic sounds and recordings of spoken texts, which create a sense of distance and dislocation. The title of the piece, which translates to "nostalgic utopian future distance," reflects Nono's interest in exploring the relationship between memory, politics, and the future. The piece is a reflection on the political and social upheavals of the 20th century, and the hope for a better future. The violin part is highly virtuosic, with complex rhythms, extended techniques, and microtonal intervals. The magnetic tape part includes recordings of environmental sounds, electronic sounds, and spoken texts in various languages, including Italian, German, and Spanish. The piece is characterized by its use of spatialization, with the electronic sounds and recordings moving around the performance space, creating a sense of immersion and disorientation. The use of spoken texts also adds a layer of meaning to the piece, with the words reflecting on themes of memory, politics, and the future. Overall, La lontananza nostalgica utopica futura is a complex and challenging work that reflects Nono's interest in exploring the relationship between music, politics, and society. Its use of spatialization, spoken texts, and virtuosic violin writing make it a unique and powerful work in the contemporary classical repertoire.

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