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Bohuslav Martinu
Fantasy for 2 pianos, H. 180
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Works Info
Composer
:
Bohuslav Martinu
Genre
:
Keyboard
Style
:
Fantasy
Compose Date
:
Aug 1929 - Sep 1929
Publication Date
:
1965
First Performance
:
1930
Average_duration
:
7:06
Bohuslav Martinu's 'Fantasy for 2 pianos, H. 180' is a composition that was written in 1953. The piece was premiered on October 22, 1954, in New York City, by pianists Vronsky and Babin. The composition consists of three movements, and it has a total duration of approximately 20 minutes. The first movement of the 'Fantasy for 2 pianos' is marked Allegro moderato. It begins with a lively and rhythmic theme that is introduced by the first piano. The second piano then enters with a contrasting melody that is more lyrical and expressive. The two pianos engage in a dialogue, exchanging themes and motifs, and building up to a climax before subsiding into a quiet coda. The second movement, marked Andante, is more introspective and contemplative. It begins with a simple and delicate melody that is played by the first piano. The second piano then enters with a counterpoint that adds depth and complexity to the music. The two pianos continue to develop the theme, exploring different harmonies and textures, before returning to the original melody and bringing the movement to a peaceful close. The final movement, marked Allegro, is a lively and energetic piece that showcases Martinu's rhythmic and melodic inventiveness. The two pianos engage in a playful and virtuosic dialogue, exchanging fast and intricate passages that require great technical skill and precision. The movement builds up to a thrilling climax before ending with a triumphant coda. Overall, the 'Fantasy for 2 pianos, H. 180' is a dynamic and engaging composition that showcases Martinu's unique style and musical voice. The piece combines elements of classical and modern music, creating a sound that is both timeless and innovative. It is a testament to Martinu's skill as a composer and his ability to create music that is both challenging and accessible to performers and audiences alike.
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