Composer

:

Thomas Morley

Genre

:

Chamber

Style

:

Arrangement

Compose Date

:

before 1599

Publication Date

:

1599

Average_duration

:

1:44

'Joyne Hands' is a popular English madrigal composed by Thomas Morley in the late 16th century. The piece was first published in 1595 in Morley's collection of madrigals titled 'The Triumphs of Oriana'. The madrigal is written for five voices and is known for its lively and cheerful character. The premiere of 'Joyne Hands' is not recorded, but it is likely that it was performed in the court of Queen Elizabeth I, who was a patron of Morley. The piece was well-received and became one of Morley's most popular works. 'Joyne Hands' is composed of three movements, each with its own distinct character. The first movement is a lively and rhythmic dance, with the voices imitating the sound of clapping hands. The second movement is slower and more contemplative, with the voices weaving together in intricate harmonies. The final movement returns to the lively dance rhythm of the first, with the voices joining together in joyful celebration. The piece is known for its use of word painting, a technique in which the music reflects the meaning of the lyrics. In 'Joyne Hands', the clapping rhythm of the first movement reflects the lyrics "Joyne hands, let none be idle". The second movement features a descending melody that reflects the lyrics "Downe, downe, adowne, adowne-a", while the final movement's joyful celebration is reflected in the lyrics "Sing we, and chant it, while love doth grant it". Overall, 'Joyne Hands' is a lively and joyful madrigal that showcases Morley's skill as a composer. Its popularity has endured for centuries, and it remains a beloved piece of English choral music.

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