Composer

:

Alfred Schnittke

Genre

:

Concerto

Style

:

Performance Art

Compose Date

:

1977

Average_duration

:

12:12

Alfred Schnittke's 'Moz-Art à la Haydn' is a composition for two violins, which was composed in 1977. The piece was premiered on 12th December 1978 in Moscow, Russia. The composition consists of four movements, each of which is a parody of a famous composer's style. The first movement, titled 'Moz-Art', is a parody of Mozart's style. The movement begins with a slow introduction, which is followed by a fast and lively section. The movement is characterized by its use of classical forms and structures, such as the sonata form. The second movement, titled 'Menuetto', is a parody of Haydn's style. The movement is characterized by its use of the minuet form, which was a popular dance form during the classical period. The movement is also characterized by its use of humor and wit, which are typical of Haydn's music. The third movement, titled 'Pantomime', is a parody of Stravinsky's style. The movement is characterized by its use of dissonant harmonies and complex rhythms, which are typical of Stravinsky's music. The movement also features a solo violin, which plays a virtuosic and challenging part. The fourth and final movement, titled 'Finale', is a parody of Shostakovich's style. The movement is characterized by its use of dark and somber harmonies, which are typical of Shostakovich's music. The movement also features a fast and lively section, which is reminiscent of Shostakovich's more upbeat compositions. Overall, 'Moz-Art à la Haydn' is a humorous and playful composition, which showcases Schnittke's ability to parody and imitate the styles of famous composers. The piece is a testament to Schnittke's versatility as a composer and his ability to blend different styles and genres of music.

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