Composer

:

Hanns Eisler

Genre

:

Film

Compose Date

:

1938

Average_duration

:

5:40

'400 Millionen' is a soundtrack composed by Hanns Eisler for the 1939 film of the same name. The film was directed by Georg Jacoby and premiered on March 16, 1939, in Berlin, Germany. The soundtrack consists of six movements, each with its own unique characteristics. The first movement, titled "Ouverture," is a lively and energetic piece that sets the tone for the rest of the soundtrack. It features a fast-paced melody played by the strings and brass sections, accompanied by percussion and woodwinds. The second movement, "Die Stadt," is a slower and more contemplative piece that reflects the urban setting of the film. It features a haunting melody played by the strings and woodwinds, with occasional bursts of brass and percussion. The third movement, "Die Fabrik," is a more industrial and mechanical piece that reflects the factory setting of the film. It features a repetitive and rhythmic melody played by the percussion and brass sections, with occasional bursts of strings and woodwinds. The fourth movement, "Die Arbeitslosen," is a somber and melancholic piece that reflects the struggles of the unemployed characters in the film. It features a slow and mournful melody played by the strings and woodwinds, with occasional bursts of brass and percussion. The fifth movement, "Die Emigranten," is a more upbeat and hopeful piece that reflects the journey of the emigrant characters in the film. It features a lively and optimistic melody played by the strings and woodwinds, with occasional bursts of brass and percussion. The final movement, "Finale," is a triumphant and celebratory piece that brings the soundtrack to a close. It features a fast-paced and energetic melody played by the full orchestra, with occasional bursts of percussion and brass. Overall, the '400 Millionen' soundtrack is a masterful composition by Hanns Eisler that perfectly captures the mood and themes of the film. Its use of different instruments and melodies to reflect different settings and characters is a testament to Eisler's skill as a composer.

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