Composer

:

Astor Piazzolla

Genre

:

Orchestral

Style

:

Orchestral

Compose Date

:

ca. 1955

Average_duration

:

3:59

'Picasso, tango for bandoneón' is a composition by the Argentine composer and bandoneón player Astor Piazzolla. It was composed in 1984 and premiered in the same year in Paris, France. The piece is divided into three movements, each of which is named after a painting by the Spanish artist Pablo Picasso. The first movement, titled "Les Demoiselles d'Avignon," is a reference to Picasso's groundbreaking painting of the same name. The movement is characterized by a driving rhythm and a sense of urgency, with the bandoneón taking center stage and driving the melody forward. The music is full of unexpected twists and turns, reflecting the fragmented and disjointed nature of the painting. The second movement, "Guernica," is named after Picasso's famous anti-war painting. The music is somber and mournful, with a sense of tragedy and loss pervading the melody. The bandoneón is used to great effect here, with its mournful, almost human-like sound adding to the sense of sadness and despair. The final movement, "La Danse," is named after Picasso's painting of the same name. The music is lively and upbeat, with a sense of joy and celebration. The bandoneón is used to great effect here, with its lively, dance-like rhythms driving the melody forward. The music is full of energy and vitality, reflecting the joy and exuberance of the painting. Overall, 'Picasso, tango for bandoneón' is a powerful and evocative piece of music that reflects the influence of both Piazzolla's Argentine roots and the European avant-garde. The use of the bandoneón, a traditional Argentine instrument, adds a unique and distinctive flavor to the music, while the references to Picasso's paintings give the piece a sense of depth and meaning.

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