Composer

:

Max Reger

Genre

:

Keyboard

Style

:

Prelude & Fugue

Compose Date

:

1912

Average_duration

:

5:27

Movement_count

:

2

Movement ....

Max Reger's Prelude and Fugue for organ in F sharp minor, Op. 129, was composed in 1912 and premiered on October 20th of the same year in the St. Paul's Church in Frankfurt. The piece is divided into two movements, the Prelude and the Fugue, and is considered one of Reger's most significant works for the organ. The Prelude is marked "Allegro con fuoco" and begins with a fiery and virtuosic passage in the right hand, accompanied by a pedal line in the left hand. The music then transitions into a more lyrical section, featuring a melody in the right hand that is accompanied by a flowing arpeggio in the left hand. The piece builds to a climax before returning to the opening material, which is then developed further before coming to a dramatic close. The Fugue is marked "Allegro moderato" and begins with a subject that is introduced in the pedal and then taken up by the manuals. The subject is then developed through a series of entries and episodes, with the music becoming increasingly complex and contrapuntal. Reger's use of chromaticism and dissonance in the Fugue is particularly notable, as is his skillful handling of the organ's registration to create a wide range of tonal colors. Overall, Reger's Prelude and Fugue for organ in F sharp minor is a challenging and rewarding work for both performer and listener. Its technical demands and complex harmonies make it a favorite among organists, while its dramatic and expressive qualities ensure its enduring popularity with audiences.

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