Franz Krommer
March à 10, for winds, 2 horns & trumpet, Op. 31/3
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Composer:Franz KrommerGenre:BandStyle:MarchAverage_duration:1:42Franz Krommer's 'March à 10, for winds, 2 horns & trumpet, Op. 31/3' is a band music piece that was composed in the early 19th century. The exact date of composition is not known, but it is believed to have been written around 1810. The piece was premiered in Vienna, Austria, where Krommer lived and worked as a composer and conductor. The 'March à 10' is a four-movement piece that showcases Krommer's skill in writing for wind instruments. The first movement is a lively and energetic march that features the full ensemble of winds, horns, and trumpet. The second movement is a slower, more lyrical piece that highlights the horn section. The third movement is a playful scherzo that features the clarinets and bassoons. The final movement is a triumphant finale that brings the entire ensemble together in a grand display of virtuosity. One of the characteristics of Krommer's music is his use of wind instruments. He was known for his ability to write for these instruments in a way that showcased their unique qualities and capabilities. In the 'March à 10', Krommer uses the full range of the wind ensemble to create a rich and varied sound. He also employs a variety of techniques, such as staccato and legato playing, to create contrast and interest within the piece. Another characteristic of Krommer's music is his use of form. The 'March à 10' is a prime example of this, as it follows a traditional four-movement structure that was common in classical music of the time. However, Krommer also adds his own unique touches to the form, such as the playful scherzo in the third movement. Overall, the 'March à 10, for winds, 2 horns & trumpet, Op. 31/3' is a lively and engaging piece of band music that showcases Krommer's skill as a composer and his love for wind instruments. Its premiere in Vienna was likely met with great enthusiasm, and it continues to be a popular piece among wind ensembles today.More....
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