Composer

:

Ernst Toch

Genre

:

Orchestral

Style

:

Orchestral

Compose Date

:

1935

Average_duration

:

7:42

Ernst Toch's "Pinocchio" is a ballet in three acts, composed in 1929. The ballet premiered on December 26, 1929, at the Berlin State Opera. The libretto was written by Léo Lania, based on the story of Pinocchio by Carlo Collodi. The first act of the ballet introduces the main character, Pinocchio, a wooden puppet who dreams of becoming a real boy. The act begins with the creation of Pinocchio by the woodcarver Geppetto. Pinocchio is brought to life by the Blue Fairy, who promises to turn him into a real boy if he proves himself to be brave, truthful, and unselfish. The act ends with Pinocchio setting out on his journey to become a real boy. The second act of the ballet follows Pinocchio's adventures as he tries to prove himself to the Blue Fairy. He is tempted by the Fox and the Cat, who try to trick him into giving them his money. He is also captured by the evil puppet master, Stromboli, who forces him to perform in his puppet show. Pinocchio eventually escapes and is reunited with Geppetto, but he is still not a real boy. The third act of the ballet sees Pinocchio facing his final test. He must rescue Geppetto from the belly of a giant whale. Pinocchio succeeds in his mission and is finally transformed into a real boy by the Blue Fairy. Toch's music for "Pinocchio" is characterized by its use of leitmotifs, which represent different characters and themes throughout the ballet. The music is also notable for its use of unconventional instruments, such as the xylophone and the celesta, which add to the whimsical and fantastical atmosphere of the ballet. Overall, "Pinocchio" is a charming and imaginative ballet that captures the spirit of the original story while adding its own unique twists and turns. Toch's music is an integral part of the ballet's success, providing a rich and evocative soundtrack that brings the story to life.

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