Composer

:

Baldassare Galuppi

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

12:11

Baldassare Galuppi, also known as Il Buranello, was an Italian composer of the Baroque era. He was born in 1706 in the Venetian Republic and died in 1785 in St. Petersburg, Russia. Galuppi was a prolific composer, having written over 100 operas, as well as numerous instrumental works, including sonatas for keyboard. One of his most famous keyboard sonatas is the Keyboard Sonata in E flat major, also known as Illy No. 24. This sonata was composed in the mid-18th century and is believed to have been written for harpsichord or clavichord. It is a three-movement work that showcases Galuppi's mastery of keyboard writing. The first movement of the sonata is marked Allegro and is in sonata form. It begins with a lively and energetic theme that is developed throughout the movement. The second theme is more lyrical and provides a contrast to the first theme. The development section is particularly interesting, as Galuppi uses chromaticism and unexpected harmonies to create tension and drama. The movement ends with a recapitulation of the main themes. The second movement is marked Andante and is in ternary form. It is a beautiful and expressive melody that is accompanied by a simple and elegant bass line. The middle section provides a contrast to the main theme, with a more complex and ornate melody. The movement ends with a return to the main theme. The final movement is marked Allegro and is in rondo form. It is a lively and playful theme that is repeated throughout the movement. The contrasting sections provide a variety of moods and textures, including a section with a more stately and regal feel. The movement ends with a return to the main theme. Overall, the Keyboard Sonata in E flat major is a wonderful example of Galuppi's keyboard writing. It showcases his ability to write beautiful melodies, as well as his skill in creating complex and interesting harmonies. The sonata is a testament to Galuppi's importance as a composer of the Baroque era and is still enjoyed by audiences today.

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