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Claude-Bénigne Balbastre
La Suzanne
Works Info
Composer
:
Claude-Bénigne Balbastre
Genre
:
Keyboard
Style
:
Keyboard
Compose Date
:
1759
Average_duration
:
4:18
'La Suzanne' is a harpsichord piece composed by Claude-Bénigne Balbastre, a French composer and organist, in the mid-18th century. The exact date of composition is unknown, but it is believed to have been written around 1759. The piece is named after Suzanne, a character from the Old Testament, who is known for her beauty and wisdom. 'La Suzanne' is a suite of six movements, each with its own unique character and style. The first movement, marked 'La Suzanne', is a lively and playful piece in 2/4 time. It features a catchy melody that is repeated throughout the piece, accompanied by a simple bass line. The second movement, marked 'La Pétillante', is a fast and energetic piece in 3/8 time. It features rapid arpeggios and runs, as well as sudden shifts in dynamics and tempo. The third movement, marked 'La Lamentation', is a slow and mournful piece in 4/4 time. It features a simple melody that is repeated and developed throughout the piece, accompanied by rich harmonies and expressive ornamentation. The fourth movement, marked 'La Courante', is a lively and dance-like piece in 3/2 time. It features a flowing melody that is passed between the hands, as well as intricate ornamentation and rhythmic variations. The fifth movement, marked 'La Villageoise', is a rustic and pastoral piece in 6/8 time. It features a simple melody that is accompanied by a drone-like bass line, as well as playful ornamentation and rhythmic variations. The final movement, marked 'La Descente de la Courtille', is a fast and lively piece in 2/4 time. It features a driving rhythm and a catchy melody that is repeated and developed throughout the piece, as well as sudden shifts in dynamics and tempo. Overall, 'La Suzanne' is a charming and delightful suite that showcases Balbastre's skill as a composer and his ability to create music that is both technically challenging and musically engaging.
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