Composer

:

Orlande de Lassus

Genre

:

Choral

Style

:

Choral

Publication Date

:

1584

Average_duration

:

15:47

Orlande de Lassus was a prominent composer of the Renaissance period, known for his sacred music. One of his most famous works is "Domine exaudi... auribus percipe," a motet composed in the late 16th century. The motet is written for six voices, with two sopranos, alto, two tenors, and bass. It is believed to have been composed in 1577, during Lassus' time as Kapellmeister at the court of Duke Albrecht V of Bavaria. The piece was likely written for use in the court chapel, where Lassus was responsible for providing music for religious services. "Domine exaudi... auribus percipe" is divided into three movements, each with its own distinct character. The first movement is a prayer for mercy, with the text taken from Psalm 143. The music is somber and introspective, with the voices weaving in and out of each other in a complex polyphonic texture. The second movement is a plea for salvation, with the text taken from Psalm 30. The music is more upbeat and joyful, with the voices coming together in a more homophonic texture. The use of imitation between the voices creates a sense of unity and harmony. The final movement is a doxology, with the text taken from the Gloria Patri. The music is triumphant and celebratory, with the voices coming together in a grand finale. The use of overlapping phrases and cascading lines creates a sense of movement and energy. Overall, "Domine exaudi... auribus percipe" is a masterful example of Lassus' skill as a composer. The complex polyphonic textures, use of imitation, and careful attention to the text all demonstrate his mastery of the Renaissance style. The piece remains a beloved work of sacred music to this day.

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