Composer

:

Franz von Suppé

Genre

:

Opera

Style

:

Operetta

Compose Date

:

1868

Die Frau Meisterin is an opera composed by Franz von Suppé, with a libretto by Friedrich Zell and Richard Genée. The opera was composed in 1868 and premiered on December 4, 1868, at the Theater an der Wien in Vienna, Austria. The plot of Die Frau Meisterin revolves around the character of Marie, a young woman who disguises herself as a man in order to become a master tailor. She falls in love with her employer, the wealthy and handsome Count von Liebenberg, but is unable to reveal her true identity to him. Meanwhile, the Count's scheming cousin, Baroness von Schwarz, plots to marry him for his money and tries to sabotage Marie's career as a tailor. In the end, Marie's true identity is revealed, and she and the Count are able to marry. The opera is divided into three acts, each with its own set of musical movements. The first act features an overture, followed by a series of arias, duets, and ensembles that introduce the main characters and set the stage for the plot. The second act is the longest, and features a series of musical numbers that explore the various subplots and conflicts of the story. The third act is the shortest, and features a series of climactic musical numbers that resolve the various conflicts and bring the story to a close. One of the most notable characteristics of Die Frau Meisterin is its use of comic elements and light-hearted humor. The opera is filled with witty dialogue, clever wordplay, and humorous situations that keep the audience engaged and entertained. At the same time, the opera also features a number of more serious themes, including the struggle for social mobility, the power of love, and the importance of honesty and integrity. Overall, Die Frau Meisterin is a charming and entertaining opera that showcases Franz von Suppé's skill as a composer and Friedrich Zell and Richard Genée's talent as librettists. Its memorable melodies, engaging characters, and clever plot make it a beloved classic of the operatic repertoire.

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