Composer

:

Alan Hovhaness

Genre

:

Concerto

Style

:

Concerto

Compose Date

:

1951

Average_duration

:

19:53

Movement_count

:

7

Movement ....

Khaldis, Op. 91 is a composition by American composer Alan Hovhaness. It was composed in 1951 and premiered on January 22, 1952, by the Louisville Orchestra under the direction of Robert Whitney. The piece is divided into three movements and has a total duration of approximately 20 minutes. The first movement, marked "Allegro," begins with a lively and rhythmic theme played by the strings. This theme is then passed around to the woodwinds and brass, creating a sense of excitement and energy. The middle section of the movement features a slower, more contemplative melody played by the strings, which is then developed and expanded upon by the rest of the orchestra. The movement ends with a return to the opening theme, played with even greater intensity and vigor. The second movement, marked "Andante," is a more introspective and meditative section of the piece. It begins with a haunting melody played by the solo oboe, which is then taken up by the rest of the orchestra. The music gradually builds in intensity, with the strings playing a series of ascending and descending scales that create a sense of tension and release. The movement ends with a return to the opening oboe melody, played with even greater expressiveness and emotion. The final movement, marked "Allegro con fuoco," is a fast and fiery section that brings the piece to a thrilling conclusion. It begins with a driving rhythm played by the percussion, which is then joined by the rest of the orchestra in a series of energetic and virtuosic passages. The music builds to a frenzied climax, with the entire orchestra playing in unison to create a sense of overwhelming power and excitement. Overall, Khaldis, Op. 91 is a dynamic and engaging work that showcases Hovhaness's unique blend of Western classical music and Eastern musical traditions. The piece is characterized by its use of rhythmic and melodic motifs, as well as its rich and colorful orchestration. It remains a popular and frequently performed work in the contemporary classical repertoire.

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