Composer

:

Marc-Antoine Charpentier

Genre

:

Vocal

Style

:

Song

Publication Date

:

1695

Average_duration

:

2:18

'Celle qui fait mon tout tourment, H. 450' is a vocal work composed by Marc-Antoine Charpentier, a French Baroque composer, in the 17th century. The piece is a cantata for solo soprano and continuo, and it is believed to have been composed around 1680. The cantata consists of three movements, each with its own distinct character and mood. The first movement is a recitative, in which the soprano expresses her anguish and despair at the unrequited love she feels for her beloved. The second movement is an aria, in which the soprano laments her fate and begs for mercy from the gods. The final movement is another recitative, in which the soprano reflects on the pain and suffering caused by love. The piece is characterized by its expressive and emotional qualities, which are typical of the Baroque era. The use of recitative and aria form allows for a dramatic and theatrical presentation of the text, and the use of dissonance and chromaticism adds to the emotional intensity of the music. The soprano's vocal line is highly ornamented, with frequent melodic leaps and trills, which serve to highlight the text and convey the singer's emotional state. The premiere of 'Celle qui fait mon tout tourment, H. 450' is not known, but it is likely that it was performed in a private setting, such as a salon or court gathering. The piece was likely intended for a small audience of connoisseurs, who would appreciate its sophisticated musical language and emotional depth. Overall, 'Celle qui fait mon tout tourment, H. 450' is a beautiful and poignant example of Baroque vocal music, showcasing Charpentier's skill as a composer and his ability to convey complex emotions through music.

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