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MISCELLANEOUS
Miscellaneous MUSICS
 
1
The Instruments of the Orchestra  Violin: The use of harmonics in the orchestra can be both magical and unsettling
The Instruments of the Orchestra  Violin: The use of harmonics in the orchestra can be both magical and unsettling
 
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2
The Instruments of the Orchestra  Violin: Tchaikovsky's use of harmonics in The Sleeping Beauty is both strange and daring
The Instruments of the Orchestra  Violin: Tchaikovsky's use of harmonics in The Sleeping Beauty is both strange and daring
 
11
3
The Instruments of the Orchestra  Violin: Ravel's harmonics in Mother Goose effect a magical transformation
The Instruments of the Orchestra  Violin: Ravel's harmonics in Mother Goose effect a magical transformation
 
29
4
The Instruments of the Orchestra  Violin: Stravinsky's harmonies in The Firebirg transport us almost into another world. Includes exc
The Instruments of the Orchestra  Violin: Stravinsky's harmonies in The Firebirg transport us almost into another world. Includes exc
 
46
5
The Instruments of the Orchestra  Violin: The Natural upper notes of the violins have a unique emotional "grab"
The Instruments of the Orchestra  Violin: The Natural upper notes of the violins have a unique emotional "grab"
 
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6
The Instruments of the Orchestra  Violin: Still in their upper register, the violins unleash the energy of a young colt
The Instruments of the Orchestra  Violin: Still in their upper register, the violins unleash the energy of a young colt
 
14
7
The Instruments of the Orchestra  Violin: Elsewhere, Britten uses the same high register to create a very different mood
The Instruments of the Orchestra  Violin: Elsewhere, Britten uses the same high register to create a very different mood
 
11
8
The Instruments of the Orchestra  Violin: To end this outing with the violins, a charming little elfin dance
The Instruments of the Orchestra  Violin: To end this outing with the violins, a charming little elfin dance
 
12
9
The Instruments of the Orchestra  Lower Strings: Introduction to the viola
The Instruments of the Orchestra  Lower Strings: Introduction to the viola
 
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10
The Instruments of the Orchestra  Lower Strings: Khatchaturian gets a very different sound from it: fuller, fruitier, more exotic
The Instruments of the Orchestra  Lower Strings: Khatchaturian gets a very different sound from it: fuller, fruitier, more exotic
 
14
11
The Instruments of the Orchestra  Lower Strings: Very nearly the whole of the violin's upper register is also available to the viola
The Instruments of the Orchestra  Lower Strings: Very nearly the whole of the violin's upper register is also available to the viola
 
39
12
The Instruments of the Orchestra  Lower Strings: The viola can bring a special, rich tranginess to pizzicato that the violins lack. I
The Instruments of the Orchestra  Lower Strings: The viola can bring a special, rich tranginess to pizzicato that the violins lack. I
 
1:3
13
The Instruments of the Orchestra  Lower Strings: The muted viola: intimate, gentle, poignant in Dvorák
The Instruments of the Orchestra  Lower Strings: The muted viola: intimate, gentle, poignant in Dvorák
 
34
14
The Instruments of the Orchestra  Lower Strings: The massed violas of the modern symphony orchestra in Mahler
The Instruments of the Orchestra  Lower Strings: The massed violas of the modern symphony orchestra in Mahler
 
40
15
The Instruments of the Orchestra  Lower Strings: The "period" viola in Bach
The Instruments of the Orchestra  Lower Strings: The "period" viola in Bach
 
1:5
16
The Instruments of the Orchestra  Lower Strings: The cello: a voice of unique nobility
The Instruments of the Orchestra  Lower Strings: The cello: a voice of unique nobility
 
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17
The Instruments of the Orchestra  Lower Strings: Brahms and the "soul" of the cello
The Instruments of the Orchestra  Lower Strings: Brahms and the "soul" of the cello
 
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18
The Instruments of the Orchestra  Lower Strings: Most orchestral composers tend to emphasise the cello's lower register
The Instruments of the Orchestra  Lower Strings: Most orchestral composers tend to emphasise the cello's lower register
 
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19
The Instruments of the Orchestra  Lower Strings: In the time of Beethoven the cello remained as fundamental as ever
The Instruments of the Orchestra  Lower Strings: In the time of Beethoven the cello remained as fundamental as ever
 
14
20
The Instruments of the Orchestra  Lower Strings: But the cello is not condemned to spend its life in the basement
The Instruments of the Orchestra  Lower Strings: But the cello is not condemned to spend its life in the basement
 
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21
The Instruments of the Orchestra  Lower Strings: Not only in recital showpieces like that is the cello used in its highest register
The Instruments of the Orchestra  Lower Strings: Not only in recital showpieces like that is the cello used in its highest register
 
10
22
The Instruments of the Orchestra  Lower Strings: A cello with an identity-crisis: the pizzicato Flamencan
The Instruments of the Orchestra  Lower Strings: A cello with an identity-crisis: the pizzicato Flamencan
 
15
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2:48
24
The Instruments of the Orchestra  Lower Strings: Double-stopping in the lower reaches of the cello's range
The Instruments of the Orchestra  Lower Strings: Double-stopping in the lower reaches of the cello's range
 
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25
The Instruments of the Orchestra  Lower Strings: It's in its middle register that the cello really comes into its own
The Instruments of the Orchestra  Lower Strings: It's in its middle register that the cello really comes into its own
 
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26
The Instruments of the Orchestra  Lower Strings: It was to the cellos that Beethoven gave two of his most famous themes. Includes exc
The Instruments of the Orchestra  Lower Strings: It was to the cellos that Beethoven gave two of his most famous themes. Includes exc
 
54
27
The Instruments of the Orchestra  Lower Strings: Introduction to the double-bass
The Instruments of the Orchestra  Lower Strings: Introduction to the double-bass
 
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28
The Instruments of the Orchestra  Lower Strings: but the double-bass can be intensely expressive and graceful
The Instruments of the Orchestra  Lower Strings: but the double-bass can be intensely expressive and graceful
 
10
29
The Instruments of the Orchestra  Lower Strings: The range of the double-bass is the greatest of all the string instruments. Includes
The Instruments of the Orchestra  Lower Strings: The range of the double-bass is the greatest of all the string instruments. Includes
 
47
30
The Instruments of the Orchestra  Lower Strings: Double-bass solos in orchestral scores are rare but often memorable. Includes excerp
The Instruments of the Orchestra  Lower Strings: Double-bass solos in orchestral scores are rare but often memorable. Includes excerp
 
1:33
31
The Instruments of the Orchestra  Lower Strings: The Double-bass muted in Prokofiev. Includes excerpt from Prokofiev's Lieutenant Kij
The Instruments of the Orchestra  Lower Strings: The Double-bass muted in Prokofiev. Includes excerpt from Prokofiev's Lieutenant Kij
 
2:25
32
The Instruments of the Orchestra  Woodwinds: The antiquity and magic of the flute
The Instruments of the Orchestra  Woodwinds: The antiquity and magic of the flute
 
20
33
The Instruments of the Orchestra  Woodwinds: The versatility and agility of the flute
The Instruments of the Orchestra  Woodwinds: The versatility and agility of the flute
 
21
34
The Instruments of the Orchestra  Woodwinds: The flute in fifteenth-century Spain
The Instruments of the Orchestra  Woodwinds: The flute in fifteenth-century Spain
 
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36
The Instruments of the Orchestra  Woodwinds: Other flutes: the bass and alto
The Instruments of the Orchestra  Woodwinds: Other flutes: the bass and alto
 
29
37
The Instruments of the Orchestra  Woodwinds: The piccolo - aptly named
The Instruments of the Orchestra  Woodwinds: The piccolo - aptly named
 
19
38
The Instruments of the Orchestra  Woodwinds: From a piccolo of the eighteenth century to one of its descendants in the twentieth
The Instruments of the Orchestra  Woodwinds: From a piccolo of the eighteenth century to one of its descendants in the twentieth
 
9
39
The Instruments of the Orchestra  Woodwinds: A variety of techniques
The Instruments of the Orchestra  Woodwinds: A variety of techniques
 
19
40
The Instruments of the Orchestra  Woodwinds: Flutter-tonguing. But Tchaikovsky got there eighty years before
The Instruments of the Orchestra  Woodwinds: Flutter-tonguing. But Tchaikovsky got there eighty years before
 
28
41
The Instruments of the Orchestra  Woodwinds: From the transverse to the vertical: the Baroque recorder
The Instruments of the Orchestra  Woodwinds: From the transverse to the vertical: the Baroque recorder
 
40
42
The Instruments of the Orchestra  Woodwinds: An unfamiliar, early version of the instrument
The Instruments of the Orchestra  Woodwinds: An unfamiliar, early version of the instrument
 
23
43
The Instruments of the Orchestra  Woodwinds: The Bachian oboe
The Instruments of the Orchestra  Woodwinds: The Bachian oboe
 
35
44
The Instruments of the Orchestra  Woodwinds: Introduction to the cor anglais or "English horn"
The Instruments of the Orchestra  Woodwinds: Introduction to the cor anglais or "English horn"
 
41
45
The Instruments of the Orchestra  Woodwinds: The loneliness of the cor anglais
The Instruments of the Orchestra  Woodwinds: The loneliness of the cor anglais
 
11
46
The Instruments of the Orchestra  Woodwinds: The cor anglais joins the French horn in Haydn
The Instruments of the Orchestra  Woodwinds: The cor anglais joins the French horn in Haydn
 
17
47
The Instruments of the Orchestra  Woodwinds: Introduction to the oboe d'amore, beloved of Bach - but also of Ravel
The Instruments of the Orchestra  Woodwinds: Introduction to the oboe d'amore, beloved of Bach - but also of Ravel
 
22
48
The Instruments of the Orchestra  Woodwinds: The Clarinet family: boxing the compass, from the depths of the bass clarinet... Include
The Instruments of the Orchestra  Woodwinds: The Clarinet family: boxing the compass, from the depths of the bass clarinet... Include
 
37
49
The Instruments of the Orchestra  Woodwinds: ... to the shrill and complaining.... Includes excerpt from Stravinsky's Petrushka (No.
The Instruments of the Orchestra  Woodwinds: ... to the shrill and complaining.... Includes excerpt from Stravinsky's Petrushka (No.
 
1:38
50
The Instruments of the Orchestra  Woodwinds: As the high clarinets tend to be loud, so the bass tends to be soft
The Instruments of the Orchestra  Woodwinds: As the high clarinets tend to be loud, so the bass tends to be soft
 
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51
The Instruments of the Orchestra  Woodwinds: The bass clarinet is used by most composers mainly as a colouring agent.... Includes exc
The Instruments of the Orchestra  Woodwinds: The bass clarinet is used by most composers mainly as a colouring agent.... Includes exc
 
1:44
52
The Instruments of the Orchestra  Woodwinds: The Range of the normal clarinet parts goes quite high
The Instruments of the Orchestra  Woodwinds: The Range of the normal clarinet parts goes quite high
 
14
53
The Instruments of the Orchestra  Woodwinds: ... and quite low
The Instruments of the Orchestra  Woodwinds: ... and quite low
 
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55
The Instruments of the Orchestra  Woodwinds: The clarinet as concerto soloist
The Instruments of the Orchestra  Woodwinds: The clarinet as concerto soloist
 
19
56
The Instruments of the Orchestra  Woodwinds: but that's not the instrument Mozart wrote it for; this is:
The Instruments of the Orchestra  Woodwinds: but that's not the instrument Mozart wrote it for; this is:
 
16
57
The Instruments of the Orchestra  Woodwinds: Introduction to the saxophone
The Instruments of the Orchestra  Woodwinds: Introduction to the saxophone
 
1:6
58
The Instruments of the Orchestra  Woodwinds: The Soprano saxophone has quite a different feel to it
The Instruments of the Orchestra  Woodwinds: The Soprano saxophone has quite a different feel to it
 
9
59
The Instruments of the Orchestra  Woodwinds: The little sopranino sax goes even higher
The Instruments of the Orchestra  Woodwinds: The little sopranino sax goes even higher
 
12
60
The Instruments of the Orchestra  Woodwinds: The most famous use of the saxophone is in an orchestration by Ravel
The Instruments of the Orchestra  Woodwinds: The most famous use of the saxophone is in an orchestration by Ravel
 
16
61
The Instruments of the Orchestra  Woodwinds: The saxophhone can be quite contagiously good-humored
The Instruments of the Orchestra  Woodwinds: The saxophhone can be quite contagiously good-humored
 
11
62
The Instruments of the Orchestra  Woodwinds: The puffa-puffa image of the bassoon
The Instruments of the Orchestra  Woodwinds: The puffa-puffa image of the bassoon
 
25
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The Instruments of the Orchestra  Woodwinds: the Bachian bassoon, in accompanimental mode
The Instruments of the Orchestra  Woodwinds: the Bachian bassoon, in accompanimental mode
 
20
65
The Instruments of the Orchestra  Woodwinds: Bizet leaves the puffa-puffa image out, allowing the bassoon to sing. Includes excerpt f
The Instruments of the Orchestra  Woodwinds: Bizet leaves the puffa-puffa image out, allowing the bassoon to sing. Includes excerpt f
 
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66
The Instruments of the Orchestra  Woodwinds: And Ravel, also in spanish mode, does likewise
The Instruments of the Orchestra  Woodwinds: And Ravel, also in spanish mode, does likewise
 
16
67
The Instruments of the Orchestra  Woodwinds: The Bassoon as a voice of high seriousness, indeed desolate loneliness
The Instruments of the Orchestra  Woodwinds: The Bassoon as a voice of high seriousness, indeed desolate loneliness
 
15
68
The Instruments of the Orchestra  Woodwinds: The eerie bassoon in its highest register
The Instruments of the Orchestra  Woodwinds: The eerie bassoon in its highest register
 
15
69
The Instruments of the Orchestra  Woodwinds: Stravinsky now draws on its lowest register, lonely and melancholy
The Instruments of the Orchestra  Woodwinds: Stravinsky now draws on its lowest register, lonely and melancholy
 
21
70
The Instruments of the Orchestra  Woodwinds: The bassoon as concerto soloist, avoiding all exaggeration
The Instruments of the Orchestra  Woodwinds: The bassoon as concerto soloist, avoiding all exaggeration
 
14
71
The Instruments of the Orchestra  Woodwinds: the deep-voiced contra-bassoon, as a fairy-tale beast
The Instruments of the Orchestra  Woodwinds: the deep-voiced contra-bassoon, as a fairy-tale beast
 
28
72
The Instruments of the Orchestra  Woodwinds: The French horn under its woodwind hat
The Instruments of the Orchestra  Woodwinds: The French horn under its woodwind hat
 
25
73
The Instruments of the Orchestra  Woodwinds: Now a more prominent role, in a woodwind quintet from an earlier era
The Instruments of the Orchestra  Woodwinds: Now a more prominent role, in a woodwind quintet from an earlier era
 
12
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The Instruments of the Orchestra  Woodwinds: The horn in harmonious blend with strings in another quintet
The Instruments of the Orchestra  Woodwinds: The horn in harmonious blend with strings in another quintet
 
16
75
The Instruments of the Orchestra  Brass: The trumpet as virtuoso soloist
The Instruments of the Orchestra  Brass: The trumpet as virtuoso soloist
 
1:2
76
The Instruments of the Orchestra  Brass: The special brilliance of paired trumpets
The Instruments of the Orchestra  Brass: The special brilliance of paired trumpets
 
19
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The Instruments of the Orchestra  Brass: The ceremonial trumpet
The Instruments of the Orchestra  Brass: The ceremonial trumpet
 
36
78
The Instruments of the Orchestra  Brass: Trumpets and drums - an incomparable alliance
The Instruments of the Orchestra  Brass: Trumpets and drums - an incomparable alliance
 
34
79
The Instruments of the Orchestra  Brass: The versatility of the trumpet, from the most public to the most lonely
The Instruments of the Orchestra  Brass: The versatility of the trumpet, from the most public to the most lonely
 
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The Instruments of the Orchestra  Brass: The trumpet as the voice of the city. Includes excerpt from Gershwin's An American in Paris;
The Instruments of the Orchestra  Brass: The trumpet as the voice of the city. Includes excerpt from Gershwin's An American in Paris;
 
2:5
81
The Instruments of the Orchestra  Brass: The trumpet as the voice of strength and courage
The Instruments of the Orchestra  Brass: The trumpet as the voice of strength and courage
 
13
82
The Instruments of the Orchestra  Brass: The trumpet muted. Includes excerpt from Stravinsky's Petrushka (No. 4. The Blackamoor); Pro
The Instruments of the Orchestra  Brass: The trumpet muted. Includes excerpt from Stravinsky's Petrushka (No. 4. The Blackamoor); Pro
 
1:41
83
The Instruments of the Orchestra  Brass: The trumpet as a character actor
The Instruments of the Orchestra  Brass: The trumpet as a character actor
 
31
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The Instruments of the Orchestra  Brass: The trumpet as the voice of God
The Instruments of the Orchestra  Brass: The trumpet as the voice of God
 
15
85
The Instruments of the Orchestra  Brass: The birth of the trombone
The Instruments of the Orchestra  Brass: The birth of the trombone
 
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1:36
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The Instruments of the Orchestra  Brass: The birth of the brass as a family
The Instruments of the Orchestra  Brass: The birth of the brass as a family
 
1:24
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The Instruments of the Orchestra  Brass: The trombone in the eighteenth century
The Instruments of the Orchestra  Brass: The trombone in the eighteenth century
 
36
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The Instruments of the Orchestra  Brass: The tone of the tenor trombone. Includes excerpt from Höser's Romance for Trombone and Organ
The Instruments of the Orchestra  Brass: The tone of the tenor trombone. Includes excerpt from Höser's Romance for Trombone and Organ
 
2:18
90
The Instruments of the Orchestra  Brass: The trombones become part of the orchestra
The Instruments of the Orchestra  Brass: The trombones become part of the orchestra
 
47
91
The Instruments of the Orchestra  Brass: The Wagnerian trombone. Includes excerpt from Wagner's Overture to Tannhäuser
The Instruments of the Orchestra  Brass: The Wagnerian trombone. Includes excerpt from Wagner's Overture to Tannhäuser
 
1:4
92
The Instruments of the Orchestra  Brass: The trombone as a caricaturist
The Instruments of the Orchestra  Brass: The trombone as a caricaturist
 
13
93
The Instruments of the Orchestra  Brass: The trombone as raspberry. Includes excerpt from Bartók's Conceto for Orchestra (Intermezzo)
The Instruments of the Orchestra  Brass: The trombone as raspberry. Includes excerpt from Bartók's Conceto for Orchestra (Intermezzo)
 
1:46
94
The Instruments of the Orchestra  Brass: The horn and the hunt
The Instruments of the Orchestra  Brass: The horn and the hunt
 
40
95
The Instruments of the Orchestra  Brass: The challenging horn of the Baroque
The Instruments of the Orchestra  Brass: The challenging horn of the Baroque
 
42
96
The Instruments of the Orchestra  Brass: The scarcity of first-rate players in Handel's time
The Instruments of the Orchestra  Brass: The scarcity of first-rate players in Handel's time
 
24
97
The Instruments of the Orchestra  Brass: The horn as magician. Includes excerpt fron Stravinsky's Firebird Suite (1919 version) (fina
The Instruments of the Orchestra  Brass: The horn as magician. Includes excerpt fron Stravinsky's Firebird Suite (1919 version) (fina
 
59
98
The Instruments of the Orchestra  Brass: horns and the sound of nobility
The Instruments of the Orchestra  Brass: horns and the sound of nobility
 
12
99
The Instruments of the Orchestra  Brass: the special sound of the horn in its higher register
The Instruments of the Orchestra  Brass: the special sound of the horn in its higher register
 
11
100
The Instruments of the Orchestra  Brass: The trumpet-like sound of massed horns
The Instruments of the Orchestra  Brass: The trumpet-like sound of massed horns
 
21
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