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1

Homilies of Pope Saint Leo the Great

Homily of Pope Saint Leo the Great

Noël

5:7

2

Scripture Reading Matthew 1, 1-16

Scripture Reading Matthew 1, 1-16

Noël

6:11

3

Nancy Wiebe Mazurowski thanks the audience

Nancy Wiebe Mazurowski thanks the audience

1:4

4

How is the music, poem (ETA Hoffmann)

Wie ist doch die Musik, poem (E.T.A. Hoffmann)

Robert Schumann: Im Dichtergarten

1:18

5

Not both in dreams

Nicht sowohl im Traume

Robert Schumann: Im Dichtergarten

57

6

Man without poetry

Der Mensch ohne Poesie

Robert Schumann: Im Dichtergarten

1:21

7

When the tones speak (ETA Hoffmann)

Wenn die Töne sprechen (E.T.A. Hoffmann)

Robert Schumann: Im Dichtergarten

1:31

8

The Shepherd and the Nightingale

Der Schäfer und die Nachtigall

Robert Schumann: Im Dichtergarten

32

9

Before the Shroud of Christ, anthem for Good Friday

Before the Shroud of Christ, hymn for Good Friday

Russian Orthodox Passion

4:

10

Schönberg Speaks (For the broadcast of the String Trio (May 1949))

Schönberg Spricht (For the broadcast of the String Trio (May 1949))

Schönberg, Webern, Schnittke: String Trios

3:45

11

The Kathleen FerrierVoice

The Kathleen Ferrier Voice

Schubert, Brahms, Schumann, Mahler: Lieder

2:50

12

My prayer, poem

Mein Gebet, poem

Schubert: Werke für Klavier zu vier Händen

57

13

January, poem (as used in conjunction with Tchaikovsky's "The Seasons")

January, poem (as used in conjuction with Tchaikovsky's "The Seasons")

Tchaikovsky: The Seasons; Bartók: Transylvanian Dances; Romanian Folk Dances

35

14

February (as used in conjunction with Tchaikovsky's "The Seasons")

February (as used in conjuction with Tchaikovsky's "The Seasons")

Tchaikovsky: The Seasons; Bartók: Transylvanian Dances; Romanian Folk Dances

48

15

March, poem (as used in conjunction with Tchaikovsky's "The Seasons")

March, poem (as used in conjuction with Tchaikovsky's "The Seasons")

Tchaikovsky: The Seasons; Bartók: Transylvanian Dances; Romanian Folk Dances

37

16

April, poem (as used in conjunction with Tchaikovsky's "The Seasons")

April, poem (as used in conjuction with Tchaikovsky's "The Seasons")

Tchaikovsky: The Seasons; Bartók: Transylvanian Dances; Romanian Folk Dances

18

17

May, poem (as used in conjunction with Tchaikovsky's "The Seasons")

May, poem (as used in conjuction with Tchaikovsky's "The Seasons")

Tchaikovsky: The Seasons; Bartók: Transylvanian Dances; Romanian Folk Dances

24

18

June, poem (as used in conjunction with Tchaikovsky's "The Seasons")

June, poem (as used in conjuction with Tchaikovsky's "The Seasons")

Tchaikovsky: The Seasons; Bartók: Transylvanian Dances; Romanian Folk Dances

47

19

July, poem (as used in conjunction with Tchaikovsky's "The Seasons")

July, poem (as used in conjuction with Tchaikovsky's "The Seasons")

Tchaikovsky: The Seasons; Bartók: Transylvanian Dances; Romanian Folk Dances

57

20

August, poem (as used in conjunction with Tchaikovsky's "The Seasons")

August, poem (as used in conjuction with Tchaikovsky's "The Seasons")

Tchaikovsky: The Seasons; Bartók: Transylvanian Dances; Romanian Folk Dances

35

21

September, poem (as used in conjunction with Tchaikovsky's "The Seasons")

September, poem (as used in conjuction with Tchaikovsky's "The Seasons")

Tchaikovsky: The Seasons; Bartók: Transylvanian Dances; Romanian Folk Dances

37

22

October (as used in conjunction with Tchaikovsky's "The Seasons")

October (as used in conjuction with Tchaikovsky's "The Seasons")

Tchaikovsky: The Seasons; Bartók: Transylvanian Dances; Romanian Folk Dances

31

23

November, poem (as used in conjunction with Tchaikovsky's "The Seasons")

November, poem (as used in conjuction with Tchaikovsky's "The Seasons")

Tchaikovsky: The Seasons; Bartók: Transylvanian Dances; Romanian Folk Dances

47

24

December (as used in conjunction with Tchaikovsky's "The Seasons")

December (as used in conjuction with Tchaikovsky's "The Seasons")

Tchaikovsky: The Seasons; Bartók: Transylvanian Dances; Romanian Folk Dances

26

25

Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

13:24

26

I always feel this gigantism... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

I always feel this gigantism... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

6:7

27

We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

5:25

28

All that we have said... Final

All that we have said... Finale

The 1953 American Decca Recordings [Box Set]

9:12

29

The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

1:6

30

Does this music sound like the New World to you? (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

Does this music sound like the New World to you? (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

9:51

31

We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

3:22

32

The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

1:40

33

And now the last movement…

And now the last movement…

The 1953 American Decca Recordings [Box Set]

5:

34

The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

1:1

35

Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

4:22

36

To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

1:48

37

Now let's look at the Symphony itself (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

Now let's look at the Symphony itself (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

8:39

38

And so we have arrived…

And so we have arrived…

The 1953 American Decca Recordings [Box Set]

6:51

39

In the marvelous Scherzo that follows... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

In the marvelous Scherzo that follows... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

4:49

40

Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein

Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein

The 1953 American Decca Recordings [Box Set]

7:31

41

Even in the final movement... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

Even in the final movement... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

5:15

42

Brahms's Fourth Symphony in E minor...

Brahms' Fourth Symphony in E minor…

The 1953 American Decca Recordings [Box Set]

4:44

43

Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

5:15

44

Do you see now what a symphonic theme is? (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Do you see now what a symphonic theme is? (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

3:23

45

Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

5:47

46

Here is that second theme (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Here is that second theme (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

2:41

47

This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

9:34

48

And here we are back home

And here we are back home

The 1953 American Decca Recordings [Box Set]

2:16

49

So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

3:18

50

Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

2:11

51

Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

9:18

52

Now the development section erupts (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now the development section erupts (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

1:58

53

Now one would think... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now one would think... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

1:56

54

Jumping now to the famous third movement (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Jumping now to the famous third movement (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

1:50

55

Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

3:40

56

Now I don't want to give you the impression... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now I don't want to give you the impression... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

The 1953 American Decca Recordings [Box Set]

6:1

57

Interview with Robert Washburn

Interview with Robert Washburn

The Composer's Voice: Robert Washburn

22:42

58

Spoken introduction to The Well-Tempered Grandma, Vol. 1

Spoken introduction to The Well-Tempered Grandma, Vol. 1

The Well-Tempered Grandma, Vol. 1: The Sharp Keys

15

59

Life, autobiographical narrative by Guilhem de Cabestanh

Vida, autobiographical narrative by Guilhem de Cabestanh

5:23

60

A tryst

Ein Stelldichein

Weit flog ich: Lieder

1:52

61

Scripture Reading Opening Sentences

Scripture Reading Opening Sentences

I Will Meditate

1:20

62

Scripture Reading The Lesson and Respond

Scripture Reading The Lesson and Respond

I Will Meditate

1:31

63

Scripture Reading Creed, Kyrie, and Lord's Prayer

Scripture Reading Creed, Kyrie, and Lord's Prayer

I Will Meditate

2:40

64

Scripture Reading Confession, Absolution, and Prayers

Scripture Reading Confession, Absolution, and Prayers

I Will Meditate

3:10

65

Franz Liszt -- The Freiburg Pilgrimage [Part 1]

Franz Liszt -- Le pèlerinage de Fribourg [Part 1]

Franz Liszt: The Pilgrimage to Fribourg

2:3

66

Franz Liszt -- The Freiburg Pilgrimage [Part 2]

Franz Liszt -- Le pèlerinage de Fribourg [Part 2]

Franz Liszt: The Pilgrimage to Fribourg

3:46

67

Franz Liszt -- The Freiburg Pilgrimage [Part 3]

Franz Liszt -- Le pèlerinage de Fribourg [Part 3]

Franz Liszt: The Pilgrimage to Fribourg

1:11

68

Franz Liszt -- The Freiburg Pilgrimage [Part 4]

Franz Liszt -- Le pèlerinage de Fribourg [Part 4]

Franz Liszt: The Pilgrimage to Fribourg

4:38

69

Franz Liszt -- The Freiburg Pilgrimage [Part 5]

Franz Liszt -- Le pèlerinage de Fribourg [Part 5]

Franz Liszt: The Pilgrimage to Fribourg

57

70

Franz Liszt -- The Freiburg Pilgrimage [Part 6]

Franz Liszt -- Le pèlerinage de Fribourg [Part 6]

Franz Liszt: The Pilgrimage to Fribourg

1:14

71

Franz Liszt -- The Freiburg Pilgrimage [Part 7]

Franz Liszt -- Le pèlerinage de Fribourg [Part 7]

Franz Liszt: The Pilgrimage to Fribourg

27

72

Franz Liszt -- The Freiburg Pilgrimage [Part 8]

Franz Liszt -- Le pèlerinage de Fribourg [Part 8]

Franz Liszt: The Pilgrimage to Fribourg

50

73

Franz Liszt -- The Freiburg Pilgrimage [Part 9]

Franz Liszt -- Le pèlerinage de Fribourg [Part 9]

Franz Liszt: The Pilgrimage to Fribourg

1:23

74

Franz Liszt -- The Freiburg Pilgrimage [Part 10]

Franz Liszt -- Le pèlerinage de Fribourg [Part 10]

Franz Liszt: The Pilgrimage to Fribourg

1:38

75

Christmas Gospel Reading: Luke 2 Weihnachts-Evangelium: Lukas 2, 1-14

Christmas Gospel Reading: Lukas 2 Weihnachts-Evangelium: Lukas 2, 1-14

Et incarnates est Weihnachten in St. Augustin

1:51

76

St. Augustine: The divine word - a child

Hl. Augustinus: Das göttliche Wort - ein Kind

Et incarnates est Weihnachten in St. Augustin

1:9

77

St. Augustine: Not a signpost, but a way

Hl. Augustinus: Nicht Wegweiser, Sondern Weg

Et incarnates est Weihnachten in St. Augustin

49

78

Spoken introduction to a performance of Brahms' Hungarian Dance No. 5 Spoken introduction to a performance of Brahms's Hungarian Dance No. 5

Spoken introduction to a performance of Brahms' Hungarian Dance No. 5 Spoken introduction to a performance of Brahms's Hungarian Dance No. 5

Sehnsucht Werke für zwei Klaviere von Johannes Brahms

4:39

79

Erick Friedman comments on the passing of Alexander Tcherepnin

Erick Friedman comments on the passing of Alexander Tcherepnin

Nadia Reisenberg & Erick Friedman in Performance & Conversation

1:

80

Radio interview with Nadia Reisenberg and Erick Friedman [Part 1]

Radio interview with Nadia Reisenberg and Erick Friedman [Part 1]

Nadia Reisenberg & Erick Friedman in Performance & Conversation

8:15

81

Radio interview with Nadia Reisenberg and Erick Friedman [Part 2]

Radio interview with Nadia Reisenberg and Erick Friedman [Part 2]

Nadia Reisenberg & Erick Friedman in Performance & Conversation

8:36

82

Radio interview with Nadia Reisenberg and Erick Friedman [Part 3]

Radio interview with Nadia Reisenberg and Erick Friedman [Part 3]

Nadia Reisenberg & Erick Friedman in Performance & Conversation

2:45

83

Spoken commentary at a live performance at Kerrytown Concert House, Ann Arbor, Michigan [Part 1]

Spoken commentary at a live performance at Kerrytown Concert House, Ann Arbor, Michigan [Part 1]

Live in Concert

1:47

84

Spoken commentary at a live performance at Kerrytown Concert House, Ann Arbor, Michigan [Part 2]

Spoken commentary at a live performance at Kerrytown Concert House, Ann Arbor, Michigan [Part 2]

Live in Concert

3:6

85

Spoken commentary at a live performance at Kerrytown Concert House, Ann Arbor, Michigan [Part 3]

Spoken commentary at a live performance at Kerrytown Concert House, Ann Arbor, Michigan [Part 3]

Live in Concert

1:42

86

Only when we are abroad can we learn what we have at home

Erst die Fremde lehrt uns, was wir an der Heimat besitzen

Ute Beckert singt und spricht Theodor Fontane

27

87

Lucky

Glück

Ute Beckert singt und spricht Theodor Fontane

50

88

Heute früh

Ute Beckert singt und spricht Theodor Fontane

1:2

89

Life paths

Lebenswege

Ute Beckert singt und spricht Theodor Fontane

1:21

90

O dull not these days

O Trübe diese Tage nicht

Ute Beckert singt und spricht Theodor Fontane

1:3

91

Grüss Gott dich, Heimat!

Ute Beckert singt und spricht Theodor Fontane

2:

92

That way and no other way

So und nicht anders

Ute Beckert singt und spricht Theodor Fontane

58

93

Hikes through the Mark Brandenburg

Wanderungen durch die Mark Brandenburg

Ute Beckert singt und spricht Theodor Fontane

2:5

94

spell

Spruch

Ute Beckert singt und spricht Theodor Fontane

45

95

Walk with Storm

Spaziergang mit Storm

Ute Beckert singt und spricht Theodor Fontane

4:38

96

Im Garten

Ute Beckert singt und spricht Theodor Fontane

40

97

The Frogs (from "The Garden of the Prophet" by Khalil Gibran) Die Frösche

Die Frösche (from "The Garden of the Prophet" by Khalil Gibran) Die Frösche

Ein Bass und Zwei Gitarren

2:46

98

Peace and War, poem (from "The Garden of the Prophet" by Khalil Gibran) Friede und Krieg

Friede und Krieg, poem (from "The Garden of the Prophet" by Khalil Gibran) Friede und Krieg

Ein Bass und Zwei Gitarren

1:23

99

Always I walk on these beaches (from "The Garden of the Prophet" by Khalil Gibran) Immer wandere ich auf diesen Stränden

Immer wandere ich auf diesen Stränden (from "The Garden of the Prophet" by Khalil Gibran) Immer wandere ich auf diesen Stränden

Ein Bass und Zwei Gitarren

1:5

100

The Ambitious Violet (from "The Garden of the Prophet" by Khalil Gibran) Das ergeizige Veilchen

Das ergeizige Veilchen (from "The Garden of the Prophet" by Khalil Gibran) Das ergeizige Veilchen

Ein Bass und Zwei Gitarren

10:2

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