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Harry Partch
ARTIST MUSICS
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Revelation in the Courthouse Park  Chorus One. Late Afternoon at the Courthouse Park. 1. Park Prologue / 2. Fanfare and March / 3. For
Revelation in the Courthouse Park  Chorus One. Late Afternoon at the Courthouse Park. 1. Park Prologue / 2. Fanfare and March / 3. For
 
11:57
2
Revelation in the Courthouse Park  Scene One. Late Afternoon at the entrance to the Palace of Thebes / Hymn to Dionysus: Holy Joy and
Revelation in the Courthouse Park  Scene One. Late Afternoon at the entrance to the Palace of Thebes / Hymn to Dionysus: Holy Joy and
 
12:36
3
Revelation in the Courthouse Park  Chorus Two. Early evening of the same day in the Courthouse Park
Revelation in the Courthouse Park  Chorus Two. Early evening of the same day in the Courthouse Park
 
8:19
4
Revelation in the Courthouse Park  Scene Two. Early evening of the same day at the entrance to the Palace of Thebes / Hymn to Dionysus
Revelation in the Courthouse Park  Scene Two. Early evening of the same day at the entrance to the Palace of Thebes / Hymn to Dionysus
 
6:36
5
Revelation in the Courthouse Park  Chorus Three. Later that night in the Courthouse Park 1. Fireworks Ritual: Those Good Old-Fashioned
Revelation in the Courthouse Park  Chorus Three. Later that night in the Courthouse Park 1. Fireworks Ritual: Those Good Old-Fashioned
 
11:27
6
Revelation in the Courthouse Park  Scene Three. Later in the ancient night at the entrance to the Palace of Thebes / Hymn to Dionysus:
Revelation in the Courthouse Park  Scene Three. Later in the ancient night at the entrance to the Palace of Thebes / Hymn to Dionysus:
 
15:24
7
Revelation in the Courthouse Park  Chorus Four. Midnight of the same evening in the Courthouse Park
Revelation in the Courthouse Park  Chorus Four. Midnight of the same evening in the Courthouse Park
 
6:48
8
Revelation in the Courthouse Park  Scene Four. Early Dawn of the next day at the entrance to the Palace of Thebes: Hymn to Dionysus: H
Revelation in the Courthouse Park  Scene Four. Early Dawn of the next day at the entrance to the Palace of Thebes: Hymn to Dionysus: H
 
7:50
10
Studies (2) on Ancient Greek Scales  Study on Olympos' Pentatonic
Studies (2) on Ancient Greek Scales  Study on Olympos' Pentatonic
1:13
11
Studies (2) on Ancient Greek Scales  Study on Archytas' Enharmonic
Studies (2) on Ancient Greek Scales  Study on Archytas' Enharmonic
2:30
12
Barstow  1. Today I am a Man
Barstow  1. Today I am a Man
1:32
13
Barstow  2. Gentlemen
Barstow  2. Gentlemen
45
14
Barstow  3. Considered Pretty
Barstow  3. Considered Pretty
1:4
15
Barstow  4. A very Good Idea
Barstow  4. A very Good Idea
37
16
Barstow  5. Possible Rides
Barstow  5. Possible Rides
1:11
17
Barstow  6. Jesus was God in the Flesh
Barstow  6. Jesus was God in the Flesh
48
18
Barstow  7. You Lucky Women
Barstow  7. You Lucky Women
1:11
19
Barstow  8. Why in Hell did you Come?
Barstow  8. Why in Hell did you Come?
2:50
23
Recorded Interviews & Speeches  Text and music: A Wagnerian Wrestling Match (spoken)
Recorded Interviews & Speeches  Text and music: A Wagnerian Wrestling Match (spoken)
 
 
1:22
24
Lyrics (17) by Li Po  A Dream (His Dream of the Skyland: a Farewell Poem)
Lyrics (17) by Li Po  A Dream (His Dream of the Skyland: a Farewell Poem)
 
 
4:34
25
Lyrics (17) by Li Po  An Encounter in the Field
Lyrics (17) by Li Po  An Encounter in the Field
 
 
47
26
Lyrics (17) by Li Po  On Hearing the Flute at Lo-Cheng One Spring Night
Lyrics (17) by Li Po  On Hearing the Flute at Lo-Cheng One Spring Night
 
 
1:
29
Lyrics (17) by Li Po  With a Man of Leisure
Lyrics (17) by Li Po  With a Man of Leisure
 
 
47
30
Lyrics (17) by Li Po  A Midnight Farewell
Lyrics (17) by Li Po  A Midnight Farewell
 
 
1:18
31
Lyrics (17) by Li Po  Before the Cask of Wine
Lyrics (17) by Li Po  Before the Cask of Wine
 
 
2:10
32
Lyrics (17) by Li Po  On the Ship of Spicewood
Lyrics (17) by Li Po  On the Ship of Spicewood
 
 
2:31
35
Saint Francis  A Setting of the Cries of Two Newsboys on a Street Corner on a Foggy Night in the Twenties.
San Francisco  A Setting of the Cries of Two Newsboys on a Street Corner on a Foggy Night in the Twenties.
 
2:29
36
Recorded Interviews & Speeches  Life is too precious to spend it with important people [Spoken]
Recorded Interviews & Speeches  Life is too precious to spend it with important people [Spoken]
 
 
1:29
37
US Highball  A Musical Account of Slim's Transcontinental Hobo Trip.
U.S. Highball  A Musical Account of Slim's Transcontinental Hobo Trip.
 
 
26:45
38
Recorded Interviews & Speeches  While my Heart Keeps Beating Time
Recorded Interviews & Speeches  While my Heart Keeps Beating Time
 
 
1:36
40
Recorded Interviews & Speeches  I'm going to start right off by giving you some sounds...
Recorded Interviews & Speeches  I'm going to start right off by giving you some sounds...
 
 
30
43
Dark Brother  Dark Brother - Final Two Paragraphs from Thomas Wolfe's "God's Lonely Man"
Dark Brother  Dark Brother - Final Two Paragraphs from Thomas Wolfe's "God's Lonely Man"
7:37
44
Recorded Interviews & Speeches  A Quarter-Saw Section of Motivations and Intonation - Prelude to Talk
Recorded Interviews & Speeches  A Quarter-Saw Section of Motivations and Intonation - Prelude to Talk
 
 
2:14
45
Recorded Interviews & Speeches  Introduction to Examples of Intonation
Recorded Interviews & Speeches  Introduction to Examples of Intonation
 
 
6:5
46
Recorded Interviews & Speeches  Scale of Olympos (pentatonic)
Recorded Interviews & Speeches  Scale of Olympos (pentatonic)
 
 
1:5
47
Recorded Interviews & Speeches  Enharmonic Scale of Archytas; Separated by 3/2's; Triads
Recorded Interviews & Speeches  Enharmonic Scale of Archytas; Separated by 3/2's; Triads
 
 
1:35
48
Recorded Interviews & Speeches  Scale of Pythagoras; Separated by 3/2's; Triads
Recorded Interviews & Speeches  Scale of Pythagoras; Separated by 3/2's; Triads
 
 
1:7
49
Recorded Interviews & Speeches  Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
Recorded Interviews & Speeches  Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
 
 
53
50
Recorded Interviews & Speeches  Ptolemy's Equable Diatonic; Separated by 3/2's
Recorded Interviews & Speeches  Ptolemy's Equable Diatonic; Separated by 3/2's
 
 
1:24
51
Recorded Interviews & Speeches  Terpander's Hexatonic [2 egs.]
Recorded Interviews & Speeches  Terpander's Hexatonic [2 egs.]
 
 
1:52
54
Recorded Interviews & Speeches  Resolutions from p. 186 of Genesis of a Music [2nd Ed., pp. 186, 187]; Resolution p. 187 [2nd Ed.,
Recorded Interviews & Speeches  Resolutions from p. 186 of Genesis of a Music [2nd Ed., pp. 186, 187]; Resolution p. 187 [2nd Ed.,
 
 
2:24
55
Recorded Interviews & Speeches  Fox-Strangways Resolutions [2nd Ed., p. 191]
Recorded Interviews & Speeches  Fox-Strangways Resolutions [2nd Ed., p. 191]
 
 
2:27
56
Recorded Interviews & Speeches  Tonal Flux from Genesis, p. 188 [2nd Ed., p. 189]; Tonal Flux from The Letter and Third Chorus of O
Recorded Interviews & Speeches  Tonal Flux from Genesis, p. 188 [2nd Ed., p. 189]; Tonal Flux from The Letter and Third Chorus of O
 
 
3:56
57
Recorded Interviews & Speeches  Multiple Tonal Senses from Antiphony of Oedipus, "O crowding woods..."
Recorded Interviews & Speeches  Multiple Tonal Senses from Antiphony of Oedipus, "O crowding woods..."
 
 
2:39
58
Recorded Interviews & Speeches  Multiple tonal Senses from Dark Brother, "and we who were lost are found again..."; "until our hear
Recorded Interviews & Speeches  Multiple tonal Senses from Dark Brother, "and we who were lost are found again..."; "until our hear
 
 
4:4
59
Recorded Interviews & Speeches  Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom.
Recorded Interviews & Speeches  Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom.
 
 
1:45
60
Recorded Interviews & Speeches  Melodic Subtleties from The Bewitched [7 egs.]
Recorded Interviews & Speeches  Melodic Subtleties from The Bewitched [7 egs.]
 
 
6:12
61
Recorded Interviews & Speeches  Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Re
Recorded Interviews & Speeches  Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Re
 
 
10:42
62
Recorded Interviews & Speeches  Dissonance and Consonance: Coda to Oedipus; Coda to Revelation
Recorded Interviews & Speeches  Dissonance and Consonance: Coda to Oedipus; Coda to Revelation
 
 
6:52
63
Bitter Music  June 11, 1935 - Santa Rosa, California
Bitter Music  June 11, 1935 - Santa Rosa, California
 
27
64
Bitter Music  June 12 - Federal Shelter, Stockton
Bitter Music  June 12 - Federal Shelter, Stockton
 
3:36
67
Bitter Music  June 16 - Harrington Ranch, San Joaquin Delta
Bitter Music  June 16 - Harrington Ranch, San Joaquin Delta
 
3:27
73
Bitter Music  July 20 - Heading north, between Sacramento and Redding (later incorporated into "The Wind", 1950)
Bitter Music  July 20 - Heading north, between Sacramento and Redding (later incorporated into "The Wind", 1950)
 
2:23
74
Bitter Music  July 24 - Federal Shelter, Portland
Bitter Music  July 24 - Federal Shelter, Portland
 
2:25
75
Bitter Music  July 25 - Blue Ox Lodge, Seattle, Washington
Bitter Music  July 25 - Blue Ox Lodge, Seattle, Washington
 
6:15
79
Bitter Music  August 7 - Between Grants Pass and Klamath Falls, Oregon
Bitter Music  August 7 - Between Grants Pass and Klamath Falls, Oregon
 
1:56
81
Bitter Music  October 22 - Nearing Monterey [reworked in 1943 as The Letter]
Bitter Music  October 22 - Nearing Monterey [reworked in 1943 as The Letter]
 
5:1
82
Bitter Music  October 24 - Leaving Big Sur
Bitter Music  October 24 - Leaving Big Sur
 
2:32
83
Bitter Music  October 25 - Near Slate's Hot Springs (now the Esalen Institute)
Bitter Music  October 25 - Near Slate's Hot Springs (now the Esalen Institute)
 
2:56
88
Bitter Music  October 30 - Big Creek
Bitter Music  October 30 - Big Creek
 
53
89
Bitter Music  November 12 - Santa Barbara
Bitter Music  November 12 - Santa Barbara
 
2:23
91
Bitter Music  November 15 - Leaving Santa Barbara
Bitter Music  November 15 - Leaving Santa Barbara
 
4:17
92
Bitter Music  November 16 - Ojai
Bitter Music  November 16 - Ojai
 
56
94
Bitter Music  November 23 - Los Angeles
Bitter Music  November 23 - Los Angeles
 
28
98
Bitter Music  February 1, 1936 - San Bernardino
Bitter Music  February 1, 1936 - San Bernardino
 
4:
99
Yankee Doodle Fantasy  Y.D. Fantasy - On the Words of an Early American Tune
Yankee Doodle Fantasy  Y.D. Fantasy - On the Words of an Early American Tune
 
3:57
100
Oh frabjous day!  (The Second of Two Settings from Lewis Carroll: The Jabberwocky, from Through the Looking Glass)
O frabjous day!  (The Second of Two Settings from Lewis Carroll: The Jabberwocky, from Through the Looking Glass)
 
3:12
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