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M
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classic
György Sándor
ARTIST MUSICS
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For Children (85) without octaves in 4 volumes for piano, No. 42  Volume IV: 36-37. Rhapsody. Parlando, molto rubato - Allegro moderato
For Children (85) without octaves in 4 volumes for piano, Sz. 42  Volume IV: 36-37. Rhapsody. Parlando, molto rubato - Allegro moderato
2:38
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The First Term at the Piano (18), No. 53  13. 'Where Have You Been, My Lambkin?' (Folk Song). Andante
The First Term at the Piano (18), Sz. 53  13. 'Where Have You Been, My Lambkin?' (Folk Song). Andante
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24
Microcosm (153), pg. 107  Book 1: Nos. 1-6, Six Unison Melodies
Mikrokosmos (153), Sz. 107  Book 1: Nos. 1-6, Six Unison Melodies
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25
Microcosm (153), pg. 107  Book 1: No. 7, Dotted Notes
Mikrokosmos (153), Sz. 107  Book 1: No. 7, Dotted Notes
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26
Microcosm (153), pg. 107  Book 1: No. 8, Repetition I
Mikrokosmos (153), Sz. 107  Book 1: No. 8, Repetition I
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27
Microcosm (153), pg. 107  Book 1: No. 9, Syncopation I
Mikrokosmos (153), Sz. 107  Book 1: No. 9, Syncopation I
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Microcosm (153), pg. 107  Book 1: No. 10, With Alternate Hands
Mikrokosmos (153), Sz. 107  Book 1: No. 10, With Alternate Hands
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29
Microcosm (153), pg. 107  Book 1: No. 11, Parallel Motion
Mikrokosmos (153), Sz. 107  Book 1: No. 11, Parallel Motion
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31
Microcosm (153), pg. 107  Book 1: No. 13, Change of Position
Mikrokosmos (153), Sz. 107  Book 1: No. 13, Change of Position
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32
Microcosm (153), pg. 107  Book 1: No. 14, Question and Answer
Mikrokosmos (153), Sz. 107  Book 1: No. 14, Question and Answer
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33
Microcosm (153), pg. 107  Book 1: No. 15, Village Song
Mikrokosmos (153), Sz. 107  Book 1: No. 15, Village Song
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34
Microcosm (153), pg. 107  Book 1: No. 16, Parallel Motion with Change of Position
Mikrokosmos (153), Sz. 107  Book 1: No. 16, Parallel Motion with Change of Position
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35
Microcosm (153), pg. 107  Book 1: No. 17, Contrary Motion
Mikrokosmos (153), Sz. 107  Book 1: No. 17, Contrary Motion
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36
Microcosm (153), pg. 107  Book 1: Nos. 18-21, Four Unison Melodies
Mikrokosmos (153), Sz. 107  Book 1: Nos. 18-21, Four Unison Melodies
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37
Microcosm (153), pg. 107  Book 1: No. 22, Imitation and Counterpoint
Mikrokosmos (153), Sz. 107  Book 1: No. 22, Imitation and Counterpoint
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Microcosm (153), pg. 107  Book 1: No. 23, Imitation and Inversion I
Mikrokosmos (153), Sz. 107  Book 1: No. 23, Imitation and Inversion I
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40
Microcosm (153), pg. 107  Book 1: No. 25, Imitation and Inversion II
Mikrokosmos (153), Sz. 107  Book 1: No. 25, Imitation and Inversion II
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41
Microcosm (153), pg. 107  Book 1: No. 26, Repetition II
Mikrokosmos (153), Sz. 107  Book 1: No. 26, Repetition II
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42
Microcosm (153), pg. 107  Book 1: No. 27, Syncopation II
Mikrokosmos (153), Sz. 107  Book 1: No. 27, Syncopation II
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43
Microcosm (153), pg. 107  Book 1: No. 28, Canon at the Octave
Mikrokosmos (153), Sz. 107  Book 1: No. 28, Canon at the Octave
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44
Microcosm (153), pg. 107  Book 1: No. 29, Imitation Reflected
Mikrokosmos (153), Sz. 107  Book 1: No. 29, Imitation Reflected
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45
Microcosm (153), pg. 107  Book 1: No. 30, Canon at the Lower Fifth
Mikrokosmos (153), Sz. 107  Book 1: No. 30, Canon at the Lower Fifth
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46
Microcosm (153), pg. 107  Book : No. 31, Dance in Canon Form
Mikrokosmos (153), Sz. 107  Book : No. 31, Dance in Canon Form
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47
Microcosm (153), pg. 107  Book 1: No. 32, In Dorian Mode
Mikrokosmos (153), Sz. 107  Book 1: No. 32, In Dorian Mode
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49
Microcosm (153), pg. 107  Book 1: No. 34, In Phrygian Mode
Mikrokosmos (153), Sz. 107  Book 1: No. 34, In Phrygian Mode
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52
Microcosm (153), pg. 107  Book 2: No. 37, In Lydian Mode
Mikrokosmos (153), Sz. 107  Book 2: No. 37, In Lydian Mode
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53
Microcosm (153), pg. 107  Book 2: No. 38, Staccato and Legato I
Mikrokosmos (153), Sz. 107  Book 2: No. 38, Staccato and Legato I
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54
Microcosm (153), pg. 107  Book 2: No. 39, Staccato and Legato
Mikrokosmos (153), Sz. 107  Book 2: No. 39, Staccato and Legato
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55
Microcosm (153), pg. 107  Book 2: No. 40, In Yugoslav Style
Mikrokosmos (153), Sz. 107  Book 2: No. 40, In Yugoslav Style
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Microcosm (153), pg. 107  Book 2: No. 41, Melody with Accompaniment
Mikrokosmos (153), Sz. 107  Book 2: No. 41, Melody with Accompaniment
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Microcosm (153), pg. 107  Book 2: No. 42, Accompaniment in Broken Triads
Mikrokosmos (153), Sz. 107  Book 2: No. 42, Accompaniment in Broken Triads
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58
Microcosm (153), pg. 107  Book 2: Nr. 43, In Hungarian Style
Mikrokosmos (153), Sz. 107  Book 2: Nr. 43, In Hungarian Style
47
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Microcosm (153), pg. 107  Book 2: Nr. 44, Contrary Motion II
Mikrokosmos (153), Sz. 107  Book 2: Nr. 44, Contrary Motion II
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61
Microcosm (153), pg. 107  Book 2: Nr. 46, Increasing - Diminishing
Mikrokosmos (153), Sz. 107  Book 2: Nr. 46, Increasing - Diminishing
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Microcosm (153), pg. 107  Book 2: Nr. 47, County Fair
Mikrokosmos (153), Sz. 107  Book 2: Nr. 47, County Fair
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63
Microcosm (153), pg. 107  Book 2: Nr. 48, In Mixolydian Mode
Mikrokosmos (153), Sz. 107  Book 2: Nr. 48, In Mixolydian Mode
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64
Microcosm (153), pg. 107  Book 2: Nr. 49, Crescendo - Diminuendo
Mikrokosmos (153), Sz. 107  Book 2: Nr. 49, Crescendo - Diminuendo
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67
Microcosm (153), pg. 107  Book 2: Nr. 52, Unison Divided
Mikrokosmos (153), Sz. 107  Book 2: Nr. 52, Unison Divided
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Microcosm (153), pg. 107  Book 2: Nr. 53, In Transylvanian Style
Mikrokosmos (153), Sz. 107  Book 2: Nr. 53, In Transylvanian Style
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Microcosm (153), pg. 107  Book 2: Nr. 55, Triplets in Lydian Mode
Mikrokosmos (153), Sz. 107  Book 2: Nr. 55, Triplets in Lydian Mode
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Microcosm (153), pg. 107  Book 2: Nr. 56, Melody in Tenths
Mikrokosmos (153), Sz. 107  Book 2: Nr. 56, Melody in Tenths
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Microcosm (153), pg. 107  Book 2: Nr. 58, In Oriental Style
Mikrokosmos (153), Sz. 107  Book 2: Nr. 58, In Oriental Style
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Microcosm (153), pg. 107  Book 2: Nr. 59, Major und Minor
Mikrokosmos (153), Sz. 107  Book 2: Nr. 59, Major und Minor
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Microcosm (153), pg. 107  Book 2: Nr. 60, Kanon with Sustained Notes
Mikrokosmos (153), Sz. 107  Book 2: Nr. 60, Kanon with Sustained Notes
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Microcosm (153), pg. 107  Book 2: Nr. 61, Pentatonic Melody
Mikrokosmos (153), Sz. 107  Book 2: Nr. 61, Pentatonic Melody
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Microcosm (153), pg. 107  Book 2: Nr. 62, Minor Sixths in Parallel Motion
Mikrokosmos (153), Sz. 107  Book 2: Nr. 62, Minor Sixths in Parallel Motion
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Microcosm (153), pg. 107  Book 2: Nr. 64, Line against Point
Mikrokosmos (153), Sz. 107  Book 2: Nr. 64, Line against Point
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Microcosm (153), pg. 107  Book 2: Nr. 66, Melody Divided
Mikrokosmos (153), Sz. 107  Book 2: Nr. 66, Melody Divided
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Microcosm (153), pg. 107  No. 67, Thirds Against a Single Voice
Mikrokosmos (153), Sz. 107  No. 67, Thirds Against a Single Voice
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Microcosm (153), pg. 107  No. 70, Melody Against Double Notes
Mikrokosmos (153), Sz. 107  No. 70, Melody Against Double Notes
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89
Microcosm (153), pg. 107  No. 74, Hungarian Matchmaking Song
Mikrokosmos (153), Sz. 107  No. 74, Hungarian Matchmaking Song
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98
Microcosm (153), pg. 107  No. 83, Melody with Interruptions
Mikrokosmos (153), Sz. 107  No. 83, Melody with Interruptions
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