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Benjamin Britten
ARTIST MUSICS
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Sinfonietta, Op. 1  3. Tarantella (Presto Vivace-Molto Meno Mosso; Tempo Primo-Poco A Poco Animato-Prestissimo)
Sinfonietta, Op. 1  3. Tarantella (Presto Vivace-Molto Meno Mosso; Tempo Primo-Poco A Poco Animato-Prestissimo)
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Young Person's Guide to the Orchestra, Op.34  Theme A: Allegro Maestoso e Largamente; (Full Orchestra)
Young Person's Guide to the Orchestra, Op. 34  Theme A: Allegro Maestoso e Largamente; (Full Orchestra)
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Young Person's Guide to the Orchestra, Op.34  Variation E: Brillante - Alla Polacca; (Violins)
Young Person's Guide to the Orchestra, Op. 34  Variation E: Brillante - Alla Polacca; (Violins)
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Young Person's Guide to the Orchestra, Op.34  Variation H: Comminciando Lento Ma Poco a Poco Accel. Al Allegro; (Doublebasses)
Young Person's Guide to the Orchestra, Op. 34  Variation H: Comminciando Lento Ma Poco a Poco Accel. Al Allegro; (Doublebasses)
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Young Person's Guide to the Orchestra, Op.34  Variation L: Allegro Pomposo; (Trombones & Tuba)
Young Person's Guide to the Orchestra, Op. 34  Variation L: Allegro Pomposo; (Trombones & Tuba)
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Young Person's Guide to the Orchestra, Op.34  Variation H. Comminciando lento ma poco a poco accelerando
Young Person's Guide to the Orchestra, Op. 34  Variation H. Comminciando lento ma poco a poco accelerando
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Young Person's Guide to the Orchestra, Op.34  Variation H: Cominciando lento ma poco a poco accelerando (double bass)
Young Person's Guide to the Orchestra, Op. 34  Variation H: Cominciando lento ma poco a poco accelerando (double bass)
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Young Person's Guide to the Orchestra, Op.34  Tuning up - These are sounds made by a hundred musicians playing many different kinds of instrument
Young Person's Guide to the Orchestra, Op. 34  Tuning up - These are sounds made by a hundred musicians playing many different kinds of instrument
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Young Person's Guide to the Orchestra, Op.34  It is time that each instrument speak for itself. Variation A
Young Person's Guide to the Orchestra, Op. 34  It is time that each instrument speak for itself. Variation A
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Young Person's Guide to the Orchestra, Op.34  When two oboes discuss the Theme, their observation may seem more penetrating. Variation B
Young Person's Guide to the Orchestra, Op. 34  When two oboes discuss the Theme, their observation may seem more penetrating. Variation B
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Young Person's Guide to the Orchestra, Op.34  Clarinets are glib talkers and are very popular. Variation C
Young Person's Guide to the Orchestra, Op. 34  Clarinets are glib talkers and are very popular. Variation C
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Young Person's Guide to the Orchestra, Op.34  Easily recognized is the gossip of the bassoon. Variation IV
Young Person's Guide to the Orchestra, Op. 34  Easily recognized is the gossip of the bassoon. Variation IV
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Young Person's Guide to the Orchestra, Op.34  The alto voice of the viola is larger than the violin's. Variation F
Young Person's Guide to the Orchestra, Op. 34  The alto voice of the viola is larger than the violin's. Variation F
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Young Person's Guide to the Orchestra, Op.34  Words plucked from any one of the harp's 47 strings are always easy to understand. Variation I
Young Person's Guide to the Orchestra, Op. 34  Words plucked from any one of the harp's 47 strings are always easy to understand. Variation I
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Young Person's Guide to the Orchestra, Op.34  These two trumpets challenge each other in a brilliant exchange. Variation K
Young Person's Guide to the Orchestra, Op. 34  These two trumpets challenge each other in a brilliant exchange. Variation K
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Young Person's Guide to the Orchestra, Op.34  The giants of the brass, the trombones and tuba, always like to have the last word. Variation L
Young Person's Guide to the Orchestra, Op. 34  The giants of the brass, the trombones and tuba, always like to have the last word. Variation L
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Young Person's Guide to the Orchestra, Op.34  The comment of the percussion is right to the point. Variation M
Young Person's Guide to the Orchestra, Op. 34  The comment of the percussion is right to the point. Variation M
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