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Mihály Szucs

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ALBUMS

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ARTIST MUSICS

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1

Two Portraits, sc. 37 No. 1 One ideal

Two Portraits, Sz. 37 No. 1 One ideal

Bartok: Miraculous Mandarin/Two Portraits/Two Pictures

9:59

2

Two Portraits, sc. 37 No.2 One grotesque

Two Portraits, Sz. 37 No.2 One grotesque

Bartok: Miraculous Mandarin/Two Portraits/Two Pictures

2:40

3

Contrasts (3) for clarinet, violin & piano, No. 111 I. Verbunkos (Recruiting Dance)

Contrasts (3) for clarinet, violin & piano, Sz. 111 I. Verbunkos (Recruiting Dance)

Bartók: Suite, Op. 14; Out of Doors; Sonata; Nine Little Pieces; Contrasts

5:32

4

Contrasts (3) for clarinet, violin & piano, No. 111 II. Piheno (Relaxation)

Contrasts (3) for clarinet, violin & piano, Sz. 111 II. Piheno (Relaxation)

Bartók: Suite, Op. 14; Out of Doors; Sonata; Nine Little Pieces; Contrasts

4:59

5

Contrasts (3) for clarinet, violin & piano, No. 111 III. Sebes (Fast Dance)

Contrasts (3) for clarinet, violin & piano, Sz. 111 III. Sebes (Fast Dance)

Bartók: Suite, Op. 14; Out of Doors; Sonata; Nine Little Pieces; Contrasts

6:56

6

fist Ó áldalak, te drága hajlék (Salut! Demeure chaste et pure)

Faust Ó áldalak, te drága hajlék (Salut! Demeure chaste et pure)

Fifty Years of Hungaroton: Singers

4:7

7

Sorrow, pages 98/28

Sorrow, Sz. 98/28

Tiszta forrás (Pure Springs): Hungarian Folk Tunes and Their Arrangements in Works by Bartók and Kodály

2:37

8

Luigi Boccherini

Luigi Boccherini

Quintet for guitar & strings in D major "Fandango", G. 448 I. Allegro maestoso

Quintet for guitar & strings in D major "Fandango", G. 448 I. Allegro maestoso

L. Boccherini: Guitar Quintets

7:51

9

Luigi Boccherini

Luigi Boccherini

Quintet for guitar & strings in D major "Fandango", G. 448 II. Pastorale

Quintet for guitar & strings in D major "Fandango", G. 448 II. Pastorale

L. Boccherini: Guitar Quintets

6:10

10

Luigi Boccherini

Luigi Boccherini

Quintet for guitar & strings in D major "Fandango", G. 448 III. Grave assai

Quintet for guitar & strings in D major "Fandango", G. 448 III. Grave assai

L. Boccherini: Guitar Quintets

8:42

11

Luigi Boccherini

Luigi Boccherini

Quintet for guitar & strings in C major "La Retirada di Madrid", G. 453 I. Allegro maestoso assai

Quintet for guitar & strings in C major "La Ritirada di Madrid", G. 453 I. Allegro maestoso assai

L. Boccherini: Guitar Quintets

10:57

12

Luigi Boccherini

Luigi Boccherini

Quintet for guitar & strings in C major "La Retirada di Madrid", G. 453 II. Andantino

Quintet for guitar & strings in C major "La Ritirada di Madrid", G. 453 II. Andantino

L. Boccherini: Guitar Quintets

4:17

13

Luigi Boccherini

Luigi Boccherini

Quintet for guitar & strings in C major "La Retirada di Madrid", G. 453 III. Allegretto

Quintet for guitar & strings in C major "La Ritirada di Madrid", G. 453 III. Allegretto

L. Boccherini: Guitar Quintets

7:5

14

Luigi Boccherini

Luigi Boccherini

Quintet for guitar & strings in C major "La Retirada di Madrid", G. 453 IV. 12 Variazioni

Quintet for guitar & strings in C major "La Ritirada di Madrid", G. 453 IV. 12 Variazioni

L. Boccherini: Guitar Quintets

6:32

15

Contrasts (3) for clarinet, violin & piano, No. 111 I. Verbunkos

Contrasts (3) for clarinet, violin & piano, Sz. 111 I. Verbunkos

Szonáta 2 zongorára és ütőhangszerekre, Kontrasztok, Szvit Op.14

5:35

16

Contrasts (3) for clarinet, violin & piano, No. 111 II. Pihenő

Contrasts (3) for clarinet, violin & piano, Sz. 111 II. Pihenő

Szonáta 2 zongorára és ütőhangszerekre, Kontrasztok, Szvit Op.14

4:59

17

Contrasts (3) for clarinet, violin & piano, No. 111 III. Sebes

Contrasts (3) for clarinet, violin & piano, Sz. 111 III. Sebes

Szonáta 2 zongorára és ütőhangszerekre, Kontrasztok, Szvit Op.14

7:5

18

Two Portraits, sc. 37 No 1 Egy ideális - One ideal. Andante sostenuto

Two Portraits, Sz. 37 No 1 Egy ideális - One ideal. Andante sostenuto

Complete Edition - Symphonic Works I.

9:59

19

Two Portraits, sc. 37 No 2 Egy torz - One grotesque. Presto

Two Portraits, Sz. 37 No 2 Egy torz - One grotesque. Presto

Complete Edition - Symphonic Works I.

2:40

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