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classic
Cantus Thuringia
ARTIST MUSICS
36
Praise him with heart and soul, PK-72  Aria Duetto: Laß mit deinen Lobgesängen
Lobt ihn mit Herz und Munde, PK-72  Aria Duetto: Laß mit deinen Lobgesängen
 
3:13
38
Ah, for tearing up the sky, PK-70  Coro: Ach, daß du den Himmel zerrissest
Ach, daß du den Himmel zerrissest, PK-70  Coro: Ach, daß du den Himmel zerrissest
 
3:14
39
Ah, for tearing up the sky, PK-70  Recitativo: Gottlob! Der Himmel stehet offen
Ach, daß du den Himmel zerrissest, PK-70  Recitativo: Gottlob! Der Himmel stehet offen
 
42
43
Glory to God in the highest, N2-05  Accompagnato: Ja ja, ihr seht in einer Krippen
Ehre sei Gott in der Höhe, N2-05  Accompagnato: Ja ja, ihr seht in einer Krippen
 
1:17
44
Glory to God in the highest, N2-05  Aria Duetto: Die Nacht, die segensvolle Nacht
Ehre sei Gott in der Höhe, N2-05  Aria Duetto: Die Nacht, die segensvolle Nacht
 
7:46
52
Let us go with Jesus, PK-19  Accompagnato: Ein Christe bleibt im Lager
Lasset uns mit Jesu ziehen, PK-19  Accompagnato: Ein Christe bleibt im Lager
 
1:15
53
Let us go with Jesus, PK-19  Aria Duetto: Wilt du ein Jünger Jesu heißen
Lasset uns mit Jesu ziehen, PK-19  Aria Duetto: Wilt du ein Jünger Jesu heißen
 
5:32
56
Forgive us all our trespasses, Lord, PK-62  Recitativo: Hier steht vor Gott ein Schuldiger
All unser Schuld vergib uns, Herr, PK-62  Recitativo: Hier steht vor Gott ein Schuldiger
 
50
57
Forgive us all our trespasses, Lord, PK-62  Aria Duetto: Ja, billig sollte der vergeben
All unser Schuld vergib uns, Herr, PK-62  Aria Duetto: Ja, billig sollte der vergeben
 
4:29
60
It'll probably stick, PK-90  Recitativo: Daß uns die Sonne leuchtet
Es bleibet wohl dabei, PK-90  Recitativo: Daß uns die Sonne leuchtet
 
49
61
It'll probably stick, PK-90  Aria Duetto: Wie die Quelle so der Strom
Es bleibet wohl dabei, PK-90  Aria Duetto: Wie die Quelle so der Strom
 
4:55
62
It'll probably stick, PK-90  Recitativo: Wie selig ist dein Hoffen
Es bleibet wohl dabei, PK-90  Recitativo: Wie selig ist dein Hoffen
 
44
64
O Lord, in you is all my trust  O Lord, in thee is all my trust (from: Mornyng and Evenyng prayer, 1565)
O Lord, in thee is all my trust  O Lord, in thee is all my trust (from: Mornyng and Evenyng prayer, 1565)
3:12
65
Who shall separate us from the love of Christ  Who shall seperate us from the love of God (Anthem for four voices and basso continuo)
Who shall separate us from the love of Christ  Who shall seperate us from the love of God (Anthem for four voices and basso continuo)
 
3:9
72
Since God so tender a regard, line 143  Since God so tender a regard (Sacred Song for three voices and basso continuo, Z. 143)
Since God so tender a regard, Z. 143  Since God so tender a regard (Sacred Song for three voices and basso continuo, Z. 143)
4:13
73
Rejoice in the Lord always, line 49  Rejoice in the Lord alway (Anthem for three solo voices, chorus and basso continuo)
Rejoice in the Lord alway, Z. 49  Rejoice in the Lord alway (Anthem for three solo voices, chorus and basso continuo)
5:14
74
Prelude for violin in G minor, ZN 773  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Prelude for unaccompanied recorder (ZN. 773)
Prelude for violin in G minor, ZN 773  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Prelude for unaccompanied recorder (ZN. 773)
1:9
75
At New Ground, ZT 682  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: A new Ground
A New Ground, ZT 682  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: A new Ground
2:23
76
Gavotte in G major, ZD 220  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Gavott
Gavotte in G major, ZD 220  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Gavott
 
1:9
77
Work(s)  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Hornpipe I + Hornpipe II (from: Cambridge, Fritzwilliam Museum MS 52.B.7)
Work(s)  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Hornpipe I + Hornpipe II (from: Cambridge, Fritzwilliam Museum MS 52.B.7)
 
1:47
78
Time stands still  Time stands still (from: The Third and Last Booke of Songs or Aires, 1603)
Time stands still  Time stands still (from: The Third and Last Booke of Songs or Aires, 1603)
4:32
79
Woe, O mine Eyes  Weep o mine eyes (from: First Book of Madrigals, 1599)
Weep, O mine Eyes  Weep o mine eyes (from: First Book of Madrigals, 1599)
2:9
80
Flow, my tears, fall from your springs  Flow my tears (from: The second Book of Ayres, 1600), Lachrime pavaen (Amsterdam, 1646)
Flow, my tears, fall from your springs  Flow my tears (from: The second Book of Ayres, 1600), Lachrime pavaen (Amsterdam, 1646)
4:9
81
Fantasia in D minor, P5  A Fancy for lute (After Diana Poulton)
Fantasia in D minor, P 5  A Fancy for lute (After Diana Poulton)
2:30
82
Can you excuse my wrongs,  Can she excuse my wrongs (from: The First Booke of Songes or Ayres, 1597)
Can she excuse my wrongs,  Can she excuse my wrongs (from: The First Booke of Songes or Ayres, 1597)
2:43
83
Sweet stay a while, why will you rise?  Sweet stay a while (from: A Pilgrims Solace, 1612) for sopran, alto, tenor, bass, lute
Sweet stay awhile, why will you rise?  Sweet stay a while (from: A Pilgrims Solace, 1612) for sopran, alto, tenor, bass, lute
3:3
84
Prelude, P98  Prelude for lute (After Diana Poulton)
Preludium, P 98  Prelude for lute (After Diana Poulton)
1:1
85
Come again, sweet love doth invite now  Come again (from: The First Booke of Songes or Ayres, 1597)
Come again, sweet love doth now invite  Come again (from: The First Booke of Songes or Ayres, 1597)
2:17
86
Now, O now I need must part  Now, O now, I needs must part (from: The First Booke of Songes or Ayres, 1597)
Now, O now I needs must part  Now, O now, I needs must part (from: The First Booke of Songes or Ayres, 1597)
4:
91
I seek in my bed at night  Ich sucht' des Nachts in meinem Bette, Motette a 6
Ich sucht des Nachts in meinem Bette  Ich sucht' des Nachts in meinem Bette, Motette a 6
2:42
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