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1
Ethel Smyth
Ethel Smyth
The Prison
Part I. Close on Freedom: The Prisoner communes with his Soul: 'l awoke in the middle of the night'. Andante - Più sostenuto - Più animato - Tempo I - Più animato - Meno mosso - Tempo I - Poco sostenuto - Adagio - Sostenuto - Pi
The Prison
Part I. Close on Freedom: The Prisoner communes with his Soul: 'l awoke in the middle of the night'. Andante - Più sostenuto - Più animato - Tempo I - Più animato - Meno mosso - Tempo I - Poco sostenuto - Adagio - Sostenuto - Pi
Dame Ethel Smyth: The Prison
7:10
2
Ethel Smyth
Ethel Smyth
The Prison
Part I. Close on Freedom: Voices sing of immortality: We are full of immortality. Moderato - Poco meno mosso - Tempo I - Poco meno mosso - Sostenuto - Tempo I -
The Prison
Part I. Close on Freedom: Voices sing of immortality: We are full of immortality. Moderato - Poco meno mosso - Tempo I - Poco meno mosso - Sostenuto - Tempo I -
Dame Ethel Smyth: The Prison
4:29
3
Ethel Smyth
Ethel Smyth
The Prison
The Prisoner asks the secret of emancipation: I was alone with the sorrow. Sostenuto - Più animaot - Poco sostenuto - Tempo I - Allegro - Andante - allegro - Più mosso -
The Prison
The Prisoner asks the secret of emancipation: I was alone with the sorrow. Sostenuto - Più animaot - Poco sostenuto - Tempo I - Allegro - Andante - allegro - Più mosso -
Dame Ethel Smyth: The Prison
2:27
4
Ethel Smyth
Ethel Smyth
The Prison
Part I. Close on Freedom: His Soul (echoed by Voices) replies: There is no secret. Moderato - Andante tranquillo (not too slow) - Poco sostenuto - Tempo I-
The Prison
Part I. Close on Freedom: His Soul (echoed by Voices) replies: There is no secret. Moderato - Andante tranquillo (not too slow) - Poco sostenuto - Tempo I-
Dame Ethel Smyth: The Prison
3:26
5
Ethel Smyth
Ethel Smyth
The Prison
Part I. Close on Freedom: He asks in what shape emancipation will come (Who are our saviours?): Will it return to me with the same face. Quasi adagio - Più sostenuto - Allegro - Adagio - Molto largo -
The Prison
Part I. Close on Freedom: He asks in what shape emancipation will come (Who are our saviours?): Will it return to me with the same face. Quasi adagio - Più sostenuto - Allegro - Adagio - Molto largo -
Dame Ethel Smyth: The Prison
1:36
6
Ethel Smyth
Ethel Smyth
The Prison
Part I. Close on Freedom: The Voices reply: Others are elsewhere, under other names. Allegro misterioso - Poco più tranquillo - Tempo I - Sostenuto - Meno mosso -
The Prison
Part I. Close on Freedom: The Voices reply: Others are elsewhere, under other names. Allegro misterioso - Poco più tranquillo - Tempo I - Sostenuto - Meno mosso -
Dame Ethel Smyth: The Prison
3:38
7
Ethel Smyth
Ethel Smyth
The Prison
Orchestral Interlude: The first glimmer of Dawn. Andante - Allegro - Andante - Allegro - Tempo I - Allegro -
The Prison
Orchestral Interlude: The first glimmer of Dawn. Andante - Allegro - Andante - Allegro - Tempo I - Allegro -
Dame Ethel Smyth: The Prison
3:12
8
Ethel Smyth
Ethel Smyth
The Prison
Part I. Close on Freedom: The Prisoner understands his own immortality: In the faint grey morning I hear. Andante con moto - Poco meno mosso - Sostenuto - (He sleeps.)
The Prison
Part I. Close on Freedom: The Prisoner understands his own immortality: In the faint grey morning I hear. Andante con moto - Poco meno mosso - Sostenuto - (He sleeps.)
Dame Ethel Smyth: The Prison
5:9
9
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: Chorale Prelude in the Prison Chapel (The Prisoner awakes.). Andante -
The Prison
Part II. The Deliverance: Chorale Prelude in the Prison Chapel (The Prisoner awakes.). Andante -
Dame Ethel Smyth: The Prison
3:59
10
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: His Soul tells him the end of the struggle is at hand. The struggle is over; the time has come. Moderato - Più largo - Poco meno mosso - Adagio -
The Prison
Part II. The Deliverance: His Soul tells him the end of the struggle is at hand. The struggle is over; the time has come. Moderato - Più largo - Poco meno mosso - Adagio -
Dame Ethel Smyth: The Prison
2:51
11
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: He hears his guests (the elements of his personality) moving to depart. I hear them overhead moving to depart. Adagio non troppo -
The Prison
Part II. The Deliverance: He hears his guests (the elements of his personality) moving to depart. I hear them overhead moving to depart. Adagio non troppo -
Dame Ethel Smyth: The Prison
2:13
12
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: Pastorale: Sunset calm. A tempo - Allegro energico - Moderato -
The Prison
Part II. The Deliverance: Pastorale: Sunset calm. A tempo - Allegro energico - Moderato -
Dame Ethel Smyth: The Prison
2:45
13
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: He disbands his ego. I disband myself. Moderato con fuoco - Meno mosso - Tempo I - Sostenuto -
The Prison
Part II. The Deliverance: He disbands his ego. I disband myself. Moderato con fuoco - Meno mosso - Tempo I - Sostenuto -
Dame Ethel Smyth: The Prison
3:6
14
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: Voices sing (in Greek mode) the indestructibility of human passions. The laughter we have laughed. Moderato -
The Prison
Part II. The Deliverance: Voices sing (in Greek mode) the indestructibility of human passions. The laughter we have laughed. Moderato -
Dame Ethel Smyth: The Prison
2:1
15
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: Death calls him (The Last Post); glorying, he obeys the summons. For years you have been conning your lesson. Andante - Adagio - Meno adagio - Allegro - Adagio - Allegro non troppo (ma con fuoco) - Quas
The Prison
Part II. The Deliverance: Death calls him (The Last Post); glorying, he obeys the summons. For years you have been conning your lesson. Andante - Adagio - Meno adagio - Allegro - Adagio - Allegro non troppo (ma con fuoco) - Quas
Dame Ethel Smyth: The Prison
5:13
16
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: His farewell; his triumph; his peace. This is no leavetaking. L'istesso movimento - Poco animato - Adagio - Andate - Allegro - Poco sostenuto - Andante - allegretto non troppo - Poco meno mosso - Allegr
The Prison
Part II. The Deliverance: His farewell; his triumph; his peace. This is no leavetaking. L'istesso movimento - Poco animato - Adagio - Andate - Allegro - Poco sostenuto - Andante - allegretto non troppo - Poco meno mosso - Allegr
Dame Ethel Smyth: The Prison
10:38
17
Coleridge-Taylor Perkinson
Coleridge-Taylor Perkinson
Louisiana Blues Strut
Louisiana Blues Strut: A Cakewalk
Louisiana Blues Strut
Louisiana Blues Strut: A Cakewalk
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
3:35
18
Julia Perry
Julia Perry
Prelude for string orchestra
Prelude for Strings
Prelude for Strings
Prelude for string orchestra
Prelude for Strings
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
2:47
19
Coleridge-Taylor Perkinson
Coleridge-Taylor Perkinson
Sinfonietta No. 1 for strings
I. Sonata Allegro
Sinfonietta No. 1 for strings
I. Sonata Allegro
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
3:54
20
Coleridge-Taylor Perkinson
Coleridge-Taylor Perkinson
Sinfonietta No. 1 for strings
II. Song Form - Largo
Sinfonietta No. 1 for strings
II. Song Form - Largo
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
5:18
21
Coleridge-Taylor Perkinson
Coleridge-Taylor Perkinson
Sinfonietta No. 1 for strings
III. Rondo - Allegro Furioso
Sinfonietta No. 1 for strings
III. Rondo - Allegro Furioso
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
6:43
22
Julia Perry
Julia Perry
Symphony in One Movements
Symphony in One Movement for Violas and Basses
Symphony in One Movement for Violas and Basses
Symphony in One Movements
Symphony in One Movement for Violas and Basses
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
8:0
23
Julia Perry
Julia Perry
Ye, Who Seek the Truth
Ye, Who Seek the Truth
Ye, Who Seek the Truth
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
4:21
24
Julia Perry
Julia Perry
Violin Concerto
I. Slow, Moderate, Fast, Moderate
I. Slow, Moderate, Fast, Moderate
Violin Concerto
I. Slow, Moderate, Fast, Moderate
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
8:3
25
Julia Perry
Julia Perry
Violin Concerto
II. Slow, Moderate, Fast
II. Slow, Moderate, Fast
Violin Concerto
II. Slow, Moderate, Fast
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
2:32
26
Julia Perry
Julia Perry
Violin Concerto
III. Moderate
III. Moderate
Violin Concerto
III. Moderate
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
2:52
27
Julia Perry
Julia Perry
Violin Concerto
IV. Fast
IV. Fast
Violin Concerto
IV. Fast
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
1:22
28
Julia Perry
Julia Perry
Violin Concerto
V. Slow, Fast
V. Slow, Fast
Violin Concerto
V. Slow, Fast
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
3:43
29
Julia Perry
Julia Perry
Violin Concerto
VI. Fast, Moderate, Fast
VI. Fast, Moderate, Fast
Violin Concerto
VI. Fast, Moderate, Fast
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
4:30
30
Curtis Stewart
Curtis Stewart
We Who Seek
We Who Seek
We Who Seek
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
4:49
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