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Silvia Müller
ARTIST MUSICS
1
O Lord, in you is all my trust  O Lord, in thee is all my trust (from: Mornyng and Evenyng prayer, 1565)
O Lord, in thee is all my trust  O Lord, in thee is all my trust (from: Mornyng and Evenyng prayer, 1565)
3:12
2
Who shall separate us from the love of Christ  Who shall seperate us from the love of God (Anthem for four voices and basso continuo)
Who shall separate us from the love of Christ  Who shall seperate us from the love of God (Anthem for four voices and basso continuo)
 
3:9
9
Since God so tender a regard, line 143  Since God so tender a regard (Sacred Song for three voices and basso continuo, Z. 143)
Since God so tender a regard, Z. 143  Since God so tender a regard (Sacred Song for three voices and basso continuo, Z. 143)
4:13
10
Rejoice in the Lord always, line 49  Rejoice in the Lord alway (Anthem for three solo voices, chorus and basso continuo)
Rejoice in the Lord alway, Z. 49  Rejoice in the Lord alway (Anthem for three solo voices, chorus and basso continuo)
5:14
11
Prelude for violin in G minor, ZN 773  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Prelude for unaccompanied recorder (ZN. 773)
Prelude for violin in G minor, ZN 773  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Prelude for unaccompanied recorder (ZN. 773)
1:9
12
At New Ground, ZT 682  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: A new Ground
A New Ground, ZT 682  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: A new Ground
2:23
13
Gavotte in G major, ZD 220  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Gavott
Gavotte in G major, ZD 220  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Gavott
 
1:9
14
Work(s)  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Hornpipe I + Hornpipe II (from: Cambridge, Fritzwilliam Museum MS 52.B.7)
Work(s)  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Hornpipe I + Hornpipe II (from: Cambridge, Fritzwilliam Museum MS 52.B.7)
 
1:47
15
Time stands still  Time stands still (from: The Third and Last Booke of Songs or Aires, 1603)
Time stands still  Time stands still (from: The Third and Last Booke of Songs or Aires, 1603)
4:32
16
Woe, O mine Eyes  Weep o mine eyes (from: First Book of Madrigals, 1599)
Weep, O mine Eyes  Weep o mine eyes (from: First Book of Madrigals, 1599)
2:9
17
Flow, my tears, fall from your springs  Flow my tears (from: The second Book of Ayres, 1600), Lachrime pavaen (Amsterdam, 1646)
Flow, my tears, fall from your springs  Flow my tears (from: The second Book of Ayres, 1600), Lachrime pavaen (Amsterdam, 1646)
4:9
18
Fantasia in D minor, P5  A Fancy for lute (After Diana Poulton)
Fantasia in D minor, P 5  A Fancy for lute (After Diana Poulton)
2:30
19
Can you excuse my wrongs,  Can she excuse my wrongs (from: The First Booke of Songes or Ayres, 1597)
Can she excuse my wrongs,  Can she excuse my wrongs (from: The First Booke of Songes or Ayres, 1597)
2:43
20
Sweet stay a while, why will you rise?  Sweet stay a while (from: A Pilgrims Solace, 1612) for sopran, alto, tenor, bass, lute
Sweet stay awhile, why will you rise?  Sweet stay a while (from: A Pilgrims Solace, 1612) for sopran, alto, tenor, bass, lute
3:3
21
Prelude, P98  Prelude for lute (After Diana Poulton)
Preludium, P 98  Prelude for lute (After Diana Poulton)
1:1
22
Come again, sweet love doth invite now  Come again (from: The First Booke of Songes or Ayres, 1597)
Come again, sweet love doth now invite  Come again (from: The First Booke of Songes or Ayres, 1597)
2:17
23
Now, O now I need must part  Now, O now, I needs must part (from: The First Booke of Songes or Ayres, 1597)
Now, O now I needs must part  Now, O now, I needs must part (from: The First Booke of Songes or Ayres, 1597)
4:
28
I seek in my bed at night  Ich sucht' des Nachts in meinem Bette, Motette a 6
Ich sucht des Nachts in meinem Bette  Ich sucht' des Nachts in meinem Bette, Motette a 6
2:42
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