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M
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classic
Jeremy Siepmann
ARTIST MUSICS
1
The Life and Works of Joseph Haydn  From peasant to choirboy (spoken word). Includes Symphony No. 92 in G ("Oxford"): No. 4. Presto by
The Life and Works of Joseph Haydn  From peasant to choirboy (spoken word). Includes Symphony No. 92 in G ("Oxford"): No. 4. Presto by
7:34
 
2
The Life and Works of Joseph Haydn  Pranks, a narrow escape and expulsion (spoken word)
The Life and Works of Joseph Haydn  Pranks, a narrow escape and expulsion (spoken word)
4:18
 
3
The Life and Works of Joseph Haydn  Poverty, hunger and determination (spoken word)
The Life and Works of Joseph Haydn  Poverty, hunger and determination (spoken word)
3:45
 
4
The Life and Works of Joseph Haydn  Further pranks, apprenticeship and a helping hand (spoken word)
The Life and Works of Joseph Haydn  Further pranks, apprenticeship and a helping hand (spoken word)
9:13
 
5
The Life and Works of Joseph Haydn  Early fame and first sonatas (spoken word)
The Life and Works of Joseph Haydn  Early fame and first sonatas (spoken word)
2:53
 
6
The Life and Works of Joseph Haydn  Patronage, marriage and first symphonies (spoken word)
The Life and Works of Joseph Haydn  Patronage, marriage and first symphonies (spoken word)
6:47
 
7
The Life and Works of Joseph Haydn  Haydn as servant and diplomat (spoken word)
The Life and Works of Joseph Haydn  Haydn as servant and diplomat (spoken word)
5:5
 
9
The Life and Works of Joseph Haydn  Finding his feet at the Esterházy court (spoken word)
The Life and Works of Joseph Haydn  Finding his feet at the Esterházy court (spoken word)
7:36
 
10
The Life and Works of Joseph Haydn  Reprimand, overwork, illness and inspiration (spoken word)
The Life and Works of Joseph Haydn  Reprimand, overwork, illness and inspiration (spoken word)
7:12
 
12
The Life and Works of Joseph Haydn  Mastery, history and profundity: a genius in full flower (spoken word)
The Life and Works of Joseph Haydn  Mastery, history and profundity: a genius in full flower (spoken word)
1:37
 
13
The Life and Works of Joseph Haydn  "Exile" at Esterház and enforced originality (spoken word)
The Life and Works of Joseph Haydn  "Exile" at Esterház and enforced originality (spoken word)
4:45
 
14
The Life and Works of Joseph Haydn  A diplomat of genius (spoken word)
The Life and Works of Joseph Haydn  A diplomat of genius (spoken word)
5:18
 
15
The Life and Works of Joseph Haydn  Fire endured and commemorated (spoken word)
The Life and Works of Joseph Haydn  Fire endured and commemorated (spoken word)
3:16
 
18
The Life and Works of Joseph Haydn  An affair and a friendship: Polzelli and Mozart (spoken word)
The Life and Works of Joseph Haydn  An affair and a friendship: Polzelli and Mozart (spoken word)
2:6
 
19
The Life and Works of Joseph Haydn  Going to bat for Mozart (spoken word). Includes String Quartet in C, K. 465 ("Dissonance"): Mvt 1.
The Life and Works of Joseph Haydn  Going to bat for Mozart (spoken word). Includes String Quartet in C, K. 465 ("Dissonance"): Mvt 1.
4:41
 
20
The Life and Works of Joseph Haydn  Fame, servitude and loyalty: the unseen celebrity (spoken word)
The Life and Works of Joseph Haydn  Fame, servitude and loyalty: the unseen celebrity (spoken word)
2:45
 
21
The Life and Works of Joseph Haydn  Sprung from a gilded cage: Haydn goes to London (spoken word)
The Life and Works of Joseph Haydn  Sprung from a gilded cage: Haydn goes to London (spoken word)
13:56
 
22
The Life and Works of Joseph Haydn  The naked face of genius: triumph, glamour, depression and resilience (spoken word)
The Life and Works of Joseph Haydn  The naked face of genius: triumph, glamour, depression and resilience (spoken word)
4:11
 
23
The Life and Works of Joseph Haydn  Haydn as foreign correspondent (spoken word)
The Life and Works of Joseph Haydn  Haydn as foreign correspondent (spoken word)
4:31
 
24
The Life and Works of Joseph Haydn  Haydn as a statistical historian (spoken word)
The Life and Works of Joseph Haydn  Haydn as a statistical historian (spoken word)
11:50
 
25
The Life and Works of Joseph Haydn  Return to Vienna (and an unusual new pupil) (spoken word)
The Life and Works of Joseph Haydn  Return to Vienna (and an unusual new pupil) (spoken word)
1:45
 
26
The Life and Works of Joseph Haydn  Once more to England (spoken word)
The Life and Works of Joseph Haydn  Once more to England (spoken word)
3:9
 
28
The Life and Works of Joseph Haydn  Towards "The Creation" (spoken word)
The Life and Works of Joseph Haydn  Towards "The Creation" (spoken word)
2:54
 
29
The Life and Works of Joseph Haydn  Towards "The Seasons" age begins to tell (spoken word)
The Life and Works of Joseph Haydn  Towards "The Seasons" age begins to tell (spoken word)
8:26
 
31
The Instruments of the Orchestra  Violin: "Oh! to be a conductor..." Includes excerpt from Wagner's Overture to Tannhäuser
The Instruments of the Orchestra  Violin: "Oh! to be a conductor..." Includes excerpt from Wagner's Overture to Tannhäuser
2:6
 
32
The Instruments of the Orchestra  Violin: We don't merely use instruments, we play on them. And they play on us.
The Instruments of the Orchestra  Violin: We don't merely use instruments, we play on them. And they play on us.
1:19
 
33
The Instruments of the Orchestra  Violin: The violin is one of the most tender and beautiful instruments ever invented
The Instruments of the Orchestra  Violin: The violin is one of the most tender and beautiful instruments ever invented
45
 
34
The Instruments of the Orchestra  Violin: But for a long time it was seen as the instrument of the devil.
The Instruments of the Orchestra  Violin: But for a long time it was seen as the instrument of the devil.
17
 
35
The Instruments of the Orchestra  Violin: The manipulative seductiveness of the gypsy violin
The Instruments of the Orchestra  Violin: The manipulative seductiveness of the gypsy violin
43
 
36
The Instruments of the Orchestra  Violin: The violin and the imitation of nature
The Instruments of the Orchestra  Violin: The violin and the imitation of nature
23
 
37
The Instruments of the Orchestra  Violin: Birds are again evoked in the second concerto, especially music's natural favourite
The Instruments of the Orchestra  Violin: Birds are again evoked in the second concerto, especially music's natural favourite
9
 
38
The Instruments of the Orchestra  Violin: Like the devil, the violin is a master of disguise.
The Instruments of the Orchestra  Violin: Like the devil, the violin is a master of disguise.
18
 
39
The Instruments of the Orchestra  Violin: The menacing sensuality of Ravel's Tzigane; a very different side of the violin
The Instruments of the Orchestra  Violin: The menacing sensuality of Ravel's Tzigane; a very different side of the violin
15
 
40
The Instruments of the Orchestra  Violin: Do we now have the true measure of this instrument? Not just jet.
The Instruments of the Orchestra  Violin: Do we now have the true measure of this instrument? Not just jet.
15
 
41
The Instruments of the Orchestra  Violin: The many effects of the string tremolando. Includes excerpt from Bach's Brandenburg Concert
The Instruments of the Orchestra  Violin: The many effects of the string tremolando. Includes excerpt from Bach's Brandenburg Concert
1:57
 
42
The Instruments of the Orchestra  Violin: Prokofiev's tremolo in Romeo and Juliet should not be heard just before bedtime
The Instruments of the Orchestra  Violin: Prokofiev's tremolo in Romeo and Juliet should not be heard just before bedtime
22
 
43
The Instruments of the Orchestra  Violin: Vivaldi uses it to illustrate the shivering of travellers crossing the ice
The Instruments of the Orchestra  Violin: Vivaldi uses it to illustrate the shivering of travellers crossing the ice
14
 
45
The Instruments of the Orchestra  Violin: The gentleness of muted strings persists even when a whole orchestra plays
The Instruments of the Orchestra  Violin: The gentleness of muted strings persists even when a whole orchestra plays
30
 
47
The Instruments of the Orchestra  Violin: In Prokofiev's Second Violin Concerto, the accompaniment is pizzicato
The Instruments of the Orchestra  Violin: In Prokofiev's Second Violin Concerto, the accompaniment is pizzicato
26
 
48
The Instruments of the Orchestra  Violin: Varieties of pizzicato. Includes excerpt from Kabalevsky's Colas Breugon; Warlock's Capriol
The Instruments of the Orchestra  Violin: Varieties of pizzicato. Includes excerpt from Kabalevsky's Colas Breugon; Warlock's Capriol
3:9
 
49
The Instruments of the Orchestra  Violin: The technique of double-stopping enables the violin to play duets with itself. Includes exc
The Instruments of the Orchestra  Violin: The technique of double-stopping enables the violin to play duets with itself. Includes exc
2:9
 
50
The Instruments of the Orchestra  Violin: Double-stopping is a standerd feature of a lot of folk music
The Instruments of the Orchestra  Violin: Double-stopping is a standerd feature of a lot of folk music
14
 
51
The Instruments of the Orchestra  Violin: Now the same technique, but the sound might have come from another world
The Instruments of the Orchestra  Violin: Now the same technique, but the sound might have come from another world
30
 
52
The Instruments of the Orchestra  Violin: Double-stopping can only approximate the sound of a real violin duet.
The Instruments of the Orchestra  Violin: Double-stopping can only approximate the sound of a real violin duet.
20
 
53
The Instruments of the Orchestra  Violin: Now compare that with a real violin duet
The Instruments of the Orchestra  Violin: Now compare that with a real violin duet
12
 
54
The Instruments of the Orchestra  Violin: Another Duo by Bartök, demonstrating the violin's rich lower register
The Instruments of the Orchestra  Violin: Another Duo by Bartök, demonstrating the violin's rich lower register
10
 
55
The Instruments of the Orchestra  Violin: And now what may be the most beautiful accompanied violin duet in history
The Instruments of the Orchestra  Violin: And now what may be the most beautiful accompanied violin duet in history
17
 
56
The Instruments of the Orchestra  Violin: The soul of the violin is in song; but what about this wierd passage?
The Instruments of the Orchestra  Violin: The soul of the violin is in song; but what about this wierd passage?
42
 
57
The Instruments of the Orchestra  Violin: The use of harmonics in the orchestra can be both magical and unsettling
The Instruments of the Orchestra  Violin: The use of harmonics in the orchestra can be both magical and unsettling
29
 
58
The Instruments of the Orchestra  Violin: Tchaikovsky's use of harmonics in The Sleeping Beauty is both strange and daring
The Instruments of the Orchestra  Violin: Tchaikovsky's use of harmonics in The Sleeping Beauty is both strange and daring
11
 
59
The Instruments of the Orchestra  Violin: Ravel's harmonics in Mother Goose effect a magical transformation
The Instruments of the Orchestra  Violin: Ravel's harmonics in Mother Goose effect a magical transformation
29
 
60
The Instruments of the Orchestra  Violin: Stravinsky's harmonies in The Firebirg transport us almost into another world. Includes exc
The Instruments of the Orchestra  Violin: Stravinsky's harmonies in The Firebirg transport us almost into another world. Includes exc
46
 
61
The Instruments of the Orchestra  Violin: The Natural upper notes of the violins have a unique emotional "grab"
The Instruments of the Orchestra  Violin: The Natural upper notes of the violins have a unique emotional "grab"
32
 
62
The Instruments of the Orchestra  Violin: Still in their upper register, the violins unleash the energy of a young colt
The Instruments of the Orchestra  Violin: Still in their upper register, the violins unleash the energy of a young colt
14
 
63
The Instruments of the Orchestra  Violin: Elsewhere, Britten uses the same high register to create a very different mood
The Instruments of the Orchestra  Violin: Elsewhere, Britten uses the same high register to create a very different mood
11
 
64
The Instruments of the Orchestra  Violin: To end this outing with the violins, a charming little elfin dance
The Instruments of the Orchestra  Violin: To end this outing with the violins, a charming little elfin dance
12
 
65
The Instruments of the Orchestra  Lower Strings: Introduction to the viola
The Instruments of the Orchestra  Lower Strings: Introduction to the viola
42
 
66
The Instruments of the Orchestra  Lower Strings: Khatchaturian gets a very different sound from it: fuller, fruitier, more exotic
The Instruments of the Orchestra  Lower Strings: Khatchaturian gets a very different sound from it: fuller, fruitier, more exotic
14
 
67
The Instruments of the Orchestra  Lower Strings: Very nearly the whole of the violin's upper register is also available to the viola
The Instruments of the Orchestra  Lower Strings: Very nearly the whole of the violin's upper register is also available to the viola
39
 
68
The Instruments of the Orchestra  Lower Strings: The viola can bring a special, rich tranginess to pizzicato that the violins lack. I
The Instruments of the Orchestra  Lower Strings: The viola can bring a special, rich tranginess to pizzicato that the violins lack. I
1:3
 
69
The Instruments of the Orchestra  Lower Strings: The muted viola: intimate, gentle, poignant in Dvorák
The Instruments of the Orchestra  Lower Strings: The muted viola: intimate, gentle, poignant in Dvorák
34
 
70
The Instruments of the Orchestra  Lower Strings: The massed violas of the modern symphony orchestra in Mahler
The Instruments of the Orchestra  Lower Strings: The massed violas of the modern symphony orchestra in Mahler
40
 
71
The Instruments of the Orchestra  Lower Strings: The "period" viola in Bach
The Instruments of the Orchestra  Lower Strings: The "period" viola in Bach
1:5
 
72
The Instruments of the Orchestra  Lower Strings: The cello: a voice of unique nobility
The Instruments of the Orchestra  Lower Strings: The cello: a voice of unique nobility
28
 
73
The Instruments of the Orchestra  Lower Strings: Brahms and the "soul" of the cello
The Instruments of the Orchestra  Lower Strings: Brahms and the "soul" of the cello
19
 
74
The Instruments of the Orchestra  Lower Strings: Most orchestral composers tend to emphasise the cello's lower register
The Instruments of the Orchestra  Lower Strings: Most orchestral composers tend to emphasise the cello's lower register
27
 
75
The Instruments of the Orchestra  Lower Strings: In the time of Beethoven the cello remained as fundamental as ever
The Instruments of the Orchestra  Lower Strings: In the time of Beethoven the cello remained as fundamental as ever
14
 
76
The Instruments of the Orchestra  Lower Strings: But the cello is not condemned to spend its life in the basement
The Instruments of the Orchestra  Lower Strings: But the cello is not condemned to spend its life in the basement
33
 
77
The Instruments of the Orchestra  Lower Strings: Not only in recital showpieces like that is the cello used in its highest register
The Instruments of the Orchestra  Lower Strings: Not only in recital showpieces like that is the cello used in its highest register
10
 
78
The Instruments of the Orchestra  Lower Strings: A cello with an identity-crisis: the pizzicato Flamencan
The Instruments of the Orchestra  Lower Strings: A cello with an identity-crisis: the pizzicato Flamencan
15
 
79
The Instruments of the Orchestra  Lower Strings: Double-stopping in the lower reaches of the cello's range
The Instruments of the Orchestra  Lower Strings: Double-stopping in the lower reaches of the cello's range
31
 
80
The Instruments of the Orchestra  Lower Strings: It's in its middle register that the cello really comes into its own
The Instruments of the Orchestra  Lower Strings: It's in its middle register that the cello really comes into its own
21
 
81
The Instruments of the Orchestra  Lower Strings: It was to the cellos that Beethoven gave two of his most famous themes. Includes exc
The Instruments of the Orchestra  Lower Strings: It was to the cellos that Beethoven gave two of his most famous themes. Includes exc
54
 
82
The Instruments of the Orchestra  Lower Strings: Introduction to the double-bass
The Instruments of the Orchestra  Lower Strings: Introduction to the double-bass
43
 
83
The Instruments of the Orchestra  Lower Strings: but the double-bass can be intensely expressive and graceful
The Instruments of the Orchestra  Lower Strings: but the double-bass can be intensely expressive and graceful
10
 
84
The Instruments of the Orchestra  Lower Strings: The range of the double-bass is the greatest of all the string instruments. Includes
The Instruments of the Orchestra  Lower Strings: The range of the double-bass is the greatest of all the string instruments. Includes
47
 
85
The Instruments of the Orchestra  Lower Strings: Double-bass solos in orchestral scores are rare but often memorable. Includes excerp
The Instruments of the Orchestra  Lower Strings: Double-bass solos in orchestral scores are rare but often memorable. Includes excerp
1:33
 
86
The Instruments of the Orchestra  Lower Strings: The Double-bass muted in Prokofiev. Includes excerpt from Prokofiev's Lieutenant Kij
The Instruments of the Orchestra  Lower Strings: The Double-bass muted in Prokofiev. Includes excerpt from Prokofiev's Lieutenant Kij
2:25
 
87
The Instruments of the Orchestra  Woodwinds: The antiquity and magic of the flute
The Instruments of the Orchestra  Woodwinds: The antiquity and magic of the flute
20
 
88
The Instruments of the Orchestra  Woodwinds: The versatility and agility of the flute
The Instruments of the Orchestra  Woodwinds: The versatility and agility of the flute
21
 
89
The Instruments of the Orchestra  Woodwinds: The flute in fifteenth-century Spain
The Instruments of the Orchestra  Woodwinds: The flute in fifteenth-century Spain
24
 
90
The Instruments of the Orchestra  Woodwinds: Other flutes: the bass and alto
The Instruments of the Orchestra  Woodwinds: Other flutes: the bass and alto
29
 
91
The Instruments of the Orchestra  Woodwinds: The piccolo - aptly named
The Instruments of the Orchestra  Woodwinds: The piccolo - aptly named
19
 
92
The Instruments of the Orchestra  Woodwinds: From a piccolo of the eighteenth century to one of its descendants in the twentieth
The Instruments of the Orchestra  Woodwinds: From a piccolo of the eighteenth century to one of its descendants in the twentieth
9
 
94
The Instruments of the Orchestra  Woodwinds: Flutter-tonguing. But Tchaikovsky got there eighty years before
The Instruments of the Orchestra  Woodwinds: Flutter-tonguing. But Tchaikovsky got there eighty years before
28
 
95
The Instruments of the Orchestra  Woodwinds: From the transverse to the vertical: the Baroque recorder
The Instruments of the Orchestra  Woodwinds: From the transverse to the vertical: the Baroque recorder
40
 
96
The Instruments of the Orchestra  Woodwinds: An unfamiliar, early version of the instrument
The Instruments of the Orchestra  Woodwinds: An unfamiliar, early version of the instrument
23
 
98
The Instruments of the Orchestra  Woodwinds: Introduction to the cor anglais or "English horn"
The Instruments of the Orchestra  Woodwinds: Introduction to the cor anglais or "English horn"
41
 
99
The Instruments of the Orchestra  Woodwinds: The loneliness of the cor anglais
The Instruments of the Orchestra  Woodwinds: The loneliness of the cor anglais
11
 
100
The Instruments of the Orchestra  Woodwinds: The cor anglais joins the French horn in Haydn
The Instruments of the Orchestra  Woodwinds: The cor anglais joins the French horn in Haydn
17
 
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