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James Blachly
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1
Ronn McFarlane
Ronn McFarlane
Cathedral Cave
Cathedral Cave
Indigo Road
3:57
2
Ronn McFarlane
Ronn McFarlane
Overland
Overland
Indigo Road
3:48
3
Ronn McFarlane
Ronn McFarlane
Pinetops
Pinetops
Indigo Road
2:43
4
Ronn McFarlane
Ronn McFarlane
Pink
Rosa
Indigo Road
3:23
5
Ronn McFarlane
Ronn McFarlane
Uncharted Waters
Uncharted Waters
Indigo Road
4:5
6
Ronn McFarlane
Ronn McFarlane
Sycamore
Sycamore
Indigo Road
4:25
7
Ronn McFarlane
Ronn McFarlane
Thistleheart
Thistleheart
Indigo Road
3:36
8
Ronn McFarlane
Ronn McFarlane
Augsburg
Augusta
Indigo Road
3:17
9
Kevin Walczyk
Kevin Walczyk
And Goodbye Too Soon
A Goodbye Too Soon
Pinnacle: Contemporary Chamber Works
9:6
10
Hayes Biggs
Hayes Biggs
Pan Fare
Pan-Fare
When You are Reminded by the Instruments: The Music of Hayes Biggs
3:6
11
Hayes Biggs
Hayes Biggs
When You are Reminded by the Instruments
When You are Reminded by the Instruments
When You are Reminded by the Instruments: The Music of Hayes Biggs
9:46
12
Hayes Biggs
Hayes Biggs
Inquieto (attraverso il rumor)
Inquieto (attraverso il rumore)
When You are Reminded by the Instruments: The Music of Hayes Biggs
14:44
13
Hayes Biggs
Hayes Biggs
The Trill Is Gone
The Trill Is Gone
When You are Reminded by the Instruments: The Music of Hayes Biggs
4:16
14
Hayes Biggs
Hayes Biggs
Fanfare for brass ensemble & percussion
Fanfare for Brass and Percussion
Fanfare for brass ensemble & percussion
Fanfare for Brass and Percussion
When You are Reminded by the Instruments: The Music of Hayes Biggs
2:7
15
Hayes Biggs
Hayes Biggs
EM on wing
E. M. Am Flügel
E.M. am Flügel
E. M. Am Flügel
When You are Reminded by the Instruments: The Music of Hayes Biggs
6:7
16
Hayes Biggs
Hayes Biggs
Wedding Motet: Tota pulchra es/Set me as a seal upon thine heart
Wedding Motet: Tota pulchra es/Set me as a seal upon thine heart
When You are Reminded by the Instruments: The Music of Hayes Biggs
6:46
17
Hayes Biggs
Hayes Biggs
Ochila laEil
Ochila laEil
When You are Reminded by the Instruments: The Music of Hayes Biggs
13:54
18
Ethel Smyth
Ethel Smyth
The Prison
Part I. Close on Freedom: The Prisoner communes with his Soul: 'l awoke in the middle of the night'. Andante - Più sostenuto - Più animato - Tempo I - Più animato - Meno mosso - Tempo I - Poco sostenuto - Adagio - Sostenuto - Pi
The Prison
Part I. Close on Freedom: The Prisoner communes with his Soul: 'l awoke in the middle of the night'. Andante - Più sostenuto - Più animato - Tempo I - Più animato - Meno mosso - Tempo I - Poco sostenuto - Adagio - Sostenuto - Pi
Dame Ethel Smyth: The Prison
7:10
19
Ethel Smyth
Ethel Smyth
The Prison
Part I. Close on Freedom: Voices sing of immortality: We are full of immortality. Moderato - Poco meno mosso - Tempo I - Poco meno mosso - Sostenuto - Tempo I -
The Prison
Part I. Close on Freedom: Voices sing of immortality: We are full of immortality. Moderato - Poco meno mosso - Tempo I - Poco meno mosso - Sostenuto - Tempo I -
Dame Ethel Smyth: The Prison
4:29
20
Ethel Smyth
Ethel Smyth
The Prison
The Prisoner asks the secret of emancipation: I was alone with the sorrow. Sostenuto - Più animaot - Poco sostenuto - Tempo I - Allegro - Andante - allegro - Più mosso -
The Prison
The Prisoner asks the secret of emancipation: I was alone with the sorrow. Sostenuto - Più animaot - Poco sostenuto - Tempo I - Allegro - Andante - allegro - Più mosso -
Dame Ethel Smyth: The Prison
2:27
21
Ethel Smyth
Ethel Smyth
The Prison
Part I. Close on Freedom: His Soul (echoed by Voices) replies: There is no secret. Moderato - Andante tranquillo (not too slow) - Poco sostenuto - Tempo I-
The Prison
Part I. Close on Freedom: His Soul (echoed by Voices) replies: There is no secret. Moderato - Andante tranquillo (not too slow) - Poco sostenuto - Tempo I-
Dame Ethel Smyth: The Prison
3:26
22
Ethel Smyth
Ethel Smyth
The Prison
Part I. Close on Freedom: He asks in what shape emancipation will come (Who are our saviours?): Will it return to me with the same face. Quasi adagio - Più sostenuto - Allegro - Adagio - Molto largo -
The Prison
Part I. Close on Freedom: He asks in what shape emancipation will come (Who are our saviours?): Will it return to me with the same face. Quasi adagio - Più sostenuto - Allegro - Adagio - Molto largo -
Dame Ethel Smyth: The Prison
1:36
23
Ethel Smyth
Ethel Smyth
The Prison
Part I. Close on Freedom: The Voices reply: Others are elsewhere, under other names. Allegro misterioso - Poco più tranquillo - Tempo I - Sostenuto - Meno mosso -
The Prison
Part I. Close on Freedom: The Voices reply: Others are elsewhere, under other names. Allegro misterioso - Poco più tranquillo - Tempo I - Sostenuto - Meno mosso -
Dame Ethel Smyth: The Prison
3:38
24
Ethel Smyth
Ethel Smyth
The Prison
Orchestral Interlude: The first glimmer of Dawn. Andante - Allegro - Andante - Allegro - Tempo I - Allegro -
The Prison
Orchestral Interlude: The first glimmer of Dawn. Andante - Allegro - Andante - Allegro - Tempo I - Allegro -
Dame Ethel Smyth: The Prison
3:12
25
Ethel Smyth
Ethel Smyth
The Prison
Part I. Close on Freedom: The Prisoner understands his own immortality: In the faint grey morning I hear. Andante con moto - Poco meno mosso - Sostenuto - (He sleeps.)
The Prison
Part I. Close on Freedom: The Prisoner understands his own immortality: In the faint grey morning I hear. Andante con moto - Poco meno mosso - Sostenuto - (He sleeps.)
Dame Ethel Smyth: The Prison
5:9
26
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: Chorale Prelude in the Prison Chapel (The Prisoner awakes.). Andante -
The Prison
Part II. The Deliverance: Chorale Prelude in the Prison Chapel (The Prisoner awakes.). Andante -
Dame Ethel Smyth: The Prison
3:59
27
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: His Soul tells him the end of the struggle is at hand. The struggle is over; the time has come. Moderato - Più largo - Poco meno mosso - Adagio -
The Prison
Part II. The Deliverance: His Soul tells him the end of the struggle is at hand. The struggle is over; the time has come. Moderato - Più largo - Poco meno mosso - Adagio -
Dame Ethel Smyth: The Prison
2:51
28
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: He hears his guests (the elements of his personality) moving to depart. I hear them overhead moving to depart. Adagio non troppo -
The Prison
Part II. The Deliverance: He hears his guests (the elements of his personality) moving to depart. I hear them overhead moving to depart. Adagio non troppo -
Dame Ethel Smyth: The Prison
2:13
29
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: Pastorale: Sunset calm. A tempo - Allegro energico - Moderato -
The Prison
Part II. The Deliverance: Pastorale: Sunset calm. A tempo - Allegro energico - Moderato -
Dame Ethel Smyth: The Prison
2:45
30
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: He disbands his ego. I disband myself. Moderato con fuoco - Meno mosso - Tempo I - Sostenuto -
The Prison
Part II. The Deliverance: He disbands his ego. I disband myself. Moderato con fuoco - Meno mosso - Tempo I - Sostenuto -
Dame Ethel Smyth: The Prison
3:6
31
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: Voices sing (in Greek mode) the indestructibility of human passions. The laughter we have laughed. Moderato -
The Prison
Part II. The Deliverance: Voices sing (in Greek mode) the indestructibility of human passions. The laughter we have laughed. Moderato -
Dame Ethel Smyth: The Prison
2:1
32
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: Death calls him (The Last Post); glorying, he obeys the summons. For years you have been conning your lesson. Andante - Adagio - Meno adagio - Allegro - Adagio - Allegro non troppo (ma con fuoco) - Quas
The Prison
Part II. The Deliverance: Death calls him (The Last Post); glorying, he obeys the summons. For years you have been conning your lesson. Andante - Adagio - Meno adagio - Allegro - Adagio - Allegro non troppo (ma con fuoco) - Quas
Dame Ethel Smyth: The Prison
5:13
33
Ethel Smyth
Ethel Smyth
The Prison
Part II. The Deliverance: His farewell; his triumph; his peace. This is no leavetaking. L'istesso movimento - Poco animato - Adagio - Andate - Allegro - Poco sostenuto - Andante - allegretto non troppo - Poco meno mosso - Allegr
The Prison
Part II. The Deliverance: His farewell; his triumph; his peace. This is no leavetaking. L'istesso movimento - Poco animato - Adagio - Andate - Allegro - Poco sostenuto - Andante - allegretto non troppo - Poco meno mosso - Allegr
Dame Ethel Smyth: The Prison
10:38
34
Coleridge-Taylor Perkinson
Coleridge-Taylor Perkinson
Louisiana Blues Strut
Louisiana Blues Strut: A Cakewalk
Louisiana Blues Strut
Louisiana Blues Strut: A Cakewalk
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
3:35
35
Julia Perry
Julia Perry
Prelude for string orchestra
Prelude for Strings
Prelude for Strings
Prelude for string orchestra
Prelude for Strings
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
2:47
36
Coleridge-Taylor Perkinson
Coleridge-Taylor Perkinson
Sinfonietta No. 1 for strings
I. Sonata Allegro
Sinfonietta No. 1 for strings
I. Sonata Allegro
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
3:54
37
Coleridge-Taylor Perkinson
Coleridge-Taylor Perkinson
Sinfonietta No. 1 for strings
II. Song Form - Largo
Sinfonietta No. 1 for strings
II. Song Form - Largo
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
5:18
38
Coleridge-Taylor Perkinson
Coleridge-Taylor Perkinson
Sinfonietta No. 1 for strings
III. Rondo - Allegro Furioso
Sinfonietta No. 1 for strings
III. Rondo - Allegro Furioso
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
6:43
39
Julia Perry
Julia Perry
Symphony in One Movements
Symphony in One Movement for Violas and Basses
Symphony in One Movement for Violas and Basses
Symphony in One Movements
Symphony in One Movement for Violas and Basses
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
8:0
40
Julia Perry
Julia Perry
Ye, Who Seek the Truth
Ye, Who Seek the Truth
Ye, Who Seek the Truth
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
4:21
41
Julia Perry
Julia Perry
Violin Concerto
I. Slow, Moderate, Fast, Moderate
I. Slow, Moderate, Fast, Moderate
Violin Concerto
I. Slow, Moderate, Fast, Moderate
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
8:3
42
Julia Perry
Julia Perry
Violin Concerto
II. Slow, Moderate, Fast
II. Slow, Moderate, Fast
Violin Concerto
II. Slow, Moderate, Fast
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
2:32
43
Julia Perry
Julia Perry
Violin Concerto
III. Moderate
III. Moderate
Violin Concerto
III. Moderate
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
2:52
44
Julia Perry
Julia Perry
Violin Concerto
IV. Fast
IV. Fast
Violin Concerto
IV. Fast
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
1:22
45
Julia Perry
Julia Perry
Violin Concerto
V. Slow, Fast
V. Slow, Fast
Violin Concerto
V. Slow, Fast
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
3:43
46
Julia Perry
Julia Perry
Violin Concerto
VI. Fast, Moderate, Fast
VI. Fast, Moderate, Fast
Violin Concerto
VI. Fast, Moderate, Fast
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
4:30
47
Curtis Stewart
Curtis Stewart
We Who Seek
We Who Seek
We Who Seek
American Counterpoints: Julia Perry & Coleridge-Taylor Perkinson
4:49
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