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M
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classic
Charles Ives
ARTIST MUSICS
6
The Unanswered Question (I & II), p. 50  The Unanswered Question (Version No. 2)
The Unanswered Question (I & II), S. 50  The Unanswered Question (Version No. 2)
4:36
10
Orchestral Set No. 1: Three Places in New England, p. 7  I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
Orchestral Set No. 1: Three Places in New England, S. 7  I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
8:54
37
Set no. 1 (6), p. 10  No. 6. 'When the Moon' or Allegretto sombreoso
Set No. 1 (6), S. 10  No. 6. 'When the Moon' or Allegretto sombreoso
1:32
45
Set no. 2 (3), p. 11  No. 2. Gyp the Blood', or 'Hearst - Which is Worst?
Set No. 2 (3), S. 11  No. 2. Gyp the Blood', or 'Hearst - Which is Worst?
1:17
49
Orchestral Set No. 1: Three Places in New England, p. 7  Impression of the St Gaudens in Boston Common (Col. Robert Gould Shaw and his Colored Regiment)
Orchestral Set No. 1: Three Places in New England, S. 7  Impression of the St Gaudens in Boston Common (Col. Robert Gould Shaw and his Colored Regiment)
8:53
53
Orchestral Set No. 2, for orchestra, p. 8  The Rockstrewn Hills Join in the People's Outdoor Meeting
Orchestral Set No. 2, for orchestra, S. 8  The Rockstrewn Hills Join in the People's Outdoor Meeting
4:58
54
Orchestral Set No. 2, for orchestra, p. 8  From Hanover Square North, and the End of a Tragic Day, the Voice of the People Again Arose
Orchestral Set No. 2, for orchestra, S. 8  From Hanover Square North, and the End of a Tragic Day, the Voice of the People Again Arose
6:20
56
Orchestral Set No. 3, for orchestra, p. 9  During Camp Meetin' Week - One Secular Afternoon (in Bethel)
Orchestral Set No. 3, for orchestra, S. 9  During Camp Meetin' Week - One Secular Afternoon (in Bethel)
 
9:43
63
Orchestral Set No. 1: Three Places in New England, p. 7  1. The St. Gaudens in Boston Common (Col. Shaw and His Colored Regiment)
Orchestral Set No. 1: Three Places in New England, S. 7  1. The St. Gaudens in Boston Common (Col. Shaw and His Colored Regiment)
8:51
71
Orchestral Set No. 1: Three Places in New England, p. 7  The "St. Gaudens" in Boston Common, for orchestra
Orchestral Set No. 1: Three Places in New England, S. 7  The "St. Gaudens" in Boston Common, for orchestra
8:51
72
Orchestral Set No. 1: Three Places in New England, p. 7  Putnam's Camp, Redding, Connecticut, for orchestra
Orchestral Set No. 1: Three Places in New England, S. 7  Putnam's Camp, Redding, Connecticut, for orchestra
5:21
73
Orchestral Set No. 1: Three Places in New England, p. 7  The Housatonic At Stockbridge, for chorus and orchestra
Orchestral Set No. 1: Three Places in New England, S. 7  The Housatonic At Stockbridge, for chorus and orchestra
4:6
76
Orchestral Set No. 2, for orchestra, p. 8  No. 2, "The Rockstrewn Hills Join in the People's Outdoor Meeting"
Orchestral Set No. 2, for orchestra, S. 8  No. 2, "The Rockstrewn Hills Join in the People's Outdoor Meeting"
4:40
77
Orchestral Set No. 2, for orchestra, p. 8  No. 3, "From Hanover Square North, at the End of a Tragic Day"
Orchestral Set No. 2, for orchestra, S. 8  No. 3, "From Hanover Square North, at the End of a Tragic Day"
7:29
87
Orchestral Set No. 1: Three Places in New England, p. 7  1. The "St. Gaudens" in Boston Common. Col. Shaw and his Colored Regiment
Orchestral Set No. 1: Three Places in New England, S. 7  1. The "St. Gaudens" in Boston Common. Col. Shaw and his Colored Regiment
8:35
100
Robert Browning Overture, p. 27  Robert Browning Overture for orchestra
Robert Browning Overture, S. 27  Robert Browning Overture for orchestra
23:16
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