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Isolde Ahlgrimm
Artist Info
Period
:
Baroque
Genre
:
Chamber
 
 
Choral
 
 
Keyboard
 
Isolde Ahlgrimm was a renowned Austrian harpsichordist and pianist who made significant contributions to the world of classical music. Born on February 29, 1914, in Vienna, Austria, Ahlgrimm was the daughter of a prominent physician and a talented amateur pianist. She began her musical training at a young age, studying piano with her mother and later with the renowned pianist and composer Franz Schmidt. In 1932, Ahlgrimm enrolled at the Vienna Academy of Music, where she studied piano with Bruno Seidlhofer and composition with Joseph Marx. However, it was her encounter with the harpsichord that would change the course of her career. In 1936, she attended a concert by the French harpsichordist Wanda Landowska, who was a pioneer in the revival of the harpsichord as a solo instrument. Ahlgrimm was immediately captivated by the sound of the harpsichord and decided to devote herself to its study. Ahlgrimm's dedication to the harpsichord paid off quickly. In 1937, she won first prize in the International Harpsichord Competition in Paris, which brought her international recognition. She went on to perform extensively throughout Europe, both as a soloist and as a member of various chamber ensembles. In 1949, she made her debut in the United States, performing at the Library of Congress in Washington, D.C. Ahlgrimm was known for her meticulous attention to detail and her commitment to historical accuracy in her performances. She was a pioneer in the use of period instruments and historical performance practices, which were still relatively new concepts in the mid-20th century. She was particularly interested in the music of Johann Sebastian Bach, and her performances of his keyboard works were highly regarded for their clarity, precision, and emotional depth. In addition to her work as a harpsichordist, Ahlgrimm was also an accomplished pianist. She was particularly interested in the music of Franz Schubert, and her performances of his piano works were highly regarded for their sensitivity and lyricism. She also collaborated with many of the leading musicians of her time, including the violinist Yehudi Menuhin and the cellist Pablo Casals. Ahlgrimm's contributions to the world of classical music were recognized with numerous awards and honors. In 1962, she was awarded the Austrian Cross of Honor for Science and Art, and in 1974 she was made an honorary member of the Vienna Academy of Music. She also received the Grand Decoration of Honor in Silver for Services to the Republic of Austria in 1984. Despite her many accomplishments, Ahlgrimm remained humble and dedicated to her craft throughout her life. She continued to perform and teach until her death on October 11, 1995, in Vienna, Austria. Her legacy lives on through her recordings, which continue to inspire and educate musicians and music lovers around the world.
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Recent Artist Music
3
Cantata no. 208, "What pleases me", BWV 208  Soll denn der Pales Opfer hier das letzte sein?
42
13
The Musical Offering, BWV 1079  Regis issu cantio et reliqua canonica arte resoluta: Ricercar a 3
6:14
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