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Jehan Titelouze
Artist Info
Role
:
Composer
Country
:
France
Birth
:
1562 in St. Omer, France
Death
:
October 24, 1633 in Rouen, France
Period
:
Baroque
Genre
:
Choral
 
 
Keyboard
 
Jehan Titelouze was a French composer and organist who lived during the late Renaissance and early Baroque periods. He was born in Saint-Omer, France in 1563, and little is known about his early life and education. However, it is believed that he received his musical training at the Cathedral of Notre-Dame in Saint-Omer, where he later served as an organist. Titelouze is best known for his contributions to the development of the French organ school, which was characterized by a unique style of organ playing and composition that emphasized the use of registration and ornamentation. His works were highly influential in the development of French Baroque music, and he is considered one of the most important composers of his time. Titelouze's most famous work is his collection of organ hymns, entitled "Hymnes de l'Eglise" (Hymns of the Church), which was published in 1623. This collection contains 30 hymns, each of which is based on a different Gregorian chant. The hymns are written in a style that is both complex and highly ornamented, and they are considered some of the most challenging pieces in the organ repertoire. In addition to his hymns, Titelouze also composed a number of other works for the organ, including preludes, toccatas, and fugues. His music is characterized by its use of complex harmonies and intricate counterpoint, as well as its emphasis on the use of registration and ornamentation. Titelouze's influence on the development of French Baroque music cannot be overstated. His works were highly influential on later composers such as François Couperin and Jean-Philippe Rameau, and his style of organ playing and composition became the standard for French organists for centuries to come. Despite his importance in the history of music, Titelouze's life remains shrouded in mystery. Little is known about his personal life, and there are few surviving records of his activities outside of his work as an organist and composer. However, his contributions to the development of French Baroque music continue to be celebrated and studied by musicians and scholars around the world.
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