Hans Werner Henze
Undine
WORKS MUSICS
1
7:30
2
4:19
3
7:31
4
3:16
5
8:25
6
11:
8
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Act 1. No. 2a. Allegretto - Più mosso. Hunters and guests are gathered before the castle
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Act 1. No. 2a. Allegretto - Più mosso. Hunters and guests are gathered before the castle
2:
9
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Act 1. No. 2b. Andante. Palemon approaches his fiancée
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Act 1. No. 2b. Andante. Palemon approaches his fiancée
53
10
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Act 1. No. 2c. Vivace. The proud Beatrice refuses the amulet and returns to the castle with the gue
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Act 1. No. 2c. Vivace. The proud Beatrice refuses the amulet and returns to the castle with the gue
59
11
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Act 1. No. 3. Moderato - Adagio. Palemon expresses his thoughts in a meditative dance
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Act 1. No. 3. Moderato - Adagio. Palemon expresses his thoughts in a meditative dance
1:47
12
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Act 1. No. 4a. Adagio - Allegro. The nymph Ondine appears
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Act 1. No. 4a. Adagio - Allegro. The nymph Ondine appears
1:17
13
56
14
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Act 1. No. 5. Andante con moto - Allegro vivace - Andante con moto - Allegro vivace. Fascinated wit
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Act 1. No. 5. Andante con moto - Allegro vivace - Andante con moto - Allegro vivace. Fascinated wit
3:32
15
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Act 1. No. 6a. Adagio. Palemon forgets Beatrice and tries to approach to the nymph
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Act 1. No. 6a. Adagio. Palemon forgets Beatrice and tries to approach to the nymph
45
16
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Act 1. No. 6b. Vivace - Agitatio - Meno mosso. Ondine flees into the forest
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Act 1. No. 6b. Vivace - Agitatio - Meno mosso. Ondine flees into the forest
1:18
17
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Act 1. No. 7. Vivace assai. The confused guests decide to follow Palemon and hurry into the forest
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Act 1. No. 7. Vivace assai. The confused guests decide to follow Palemon and hurry into the forest
51
18
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Act 1. No. 8. Andante. Transformation to a forest
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Act 1. No. 8. Andante. Transformation to a forest
2:10
19
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Act 1. No. 9. Allegro assai - Un poco meno mosso. Tirrenio, King of the Mediterranean Sea, enters
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Act 1. No. 9. Allegro assai - Un poco meno mosso. Tirrenio, King of the Mediterranean Sea, enters
2:4
20
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Act 1. No. 10. Vivace - Subito più mosso. Tritons and nymphs are called to separate the lovers
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Act 1. No. 10. Vivace - Subito più mosso. Tritons and nymphs are called to separate the lovers
3:15
21
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Act 1. No. 10. Largo. But Palemon holds Ondine fast in his arms
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Act 1. No. 10. Largo. But Palemon holds Ondine fast in his arms
1:45
22
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Act 1. No. 11. Adagio - Allegro - Adagio. Pas de deux
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Act 1. No. 11. Adagio - Allegro - Adagio. Pas de deux
5:47
23
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Act 1. No. 11. Tranquillo. Palemon and Ondine discover a Hermit
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Act 1. No. 11. Tranquillo. Palemon and Ondine discover a Hermit
1:55
24
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Act 1. No. 11. Lento. He presides over their marriage in the presence of Tirrenio and his followers
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Act 1. No. 11. Lento. He presides over their marriage in the presence of Tirrenio and his followers
2:12
25
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Act 1. No. 11. Finale. Allegro - Vivace. At the approach of Beatrice and the Hunters
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Act 1. No. 11. Finale. Allegro - Vivace. At the approach of Beatrice and the Hunters
2:15
26
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Act 1. No. 11. Quarter note = 152. The Hermit, consoling her
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Act 1. No. 11. Quarter note = 152. The Hermit, consoling her
1:47
27
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Act 2. No. 1. Moderato - Allegro - Tempo 1 - Adagio. Fishermen mend their nets
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Act 2. No. 1. Moderato - Allegro - Tempo 1 - Adagio. Fishermen mend their nets
3:20
28
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Act 2. No. 2. Andantino con moto. Beatrice arrives and throws herself at the lovers' mercy
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Act 2. No. 2. Andantino con moto. Beatrice arrives and throws herself at the lovers' mercy
1:11
29
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Act 2. No. 3. Quater note = 80. The boat departs
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Act 2. No. 3. Quater note = 80. The boat departs
1:26
30
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Act 2. No. 4a. Andante molto. The boat on the open sea
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Act 2. No. 4a. Andante molto. The boat on the open sea
2:32
31
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Act 2. No. 4b. Dotted quarter note = 44. Rocking Dance
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Act 2. No. 4b. Dotted quarter note = 44. Rocking Dance
3:31
32
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Act 2. No. 5. Pas de trois. Palemon wants to give Ondine the amulet that Beatrice had rejected
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Act 2. No. 5. Pas de trois. Palemon wants to give Ondine the amulet that Beatrice had rejected
3:7
33
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Act 2. No. 5. Variation. Beatrice goes to the side of the boat and plays with the amulet.
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Act 2. No. 5. Variation. Beatrice goes to the side of the boat and plays with the amulet.
50
34
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Act 2. No. 6. Vivace. Beatrice is furious and confused
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Act 2. No. 6. Vivace. Beatrice is furious and confused
40
35
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Act 2. No. 7. Molto mosso. Ondine expresses her distress in a dance
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Act 2. No. 7. Molto mosso. Ondine expresses her distress in a dance
1:33
36
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Act 2. No. 8. Finale. Beatrice thorws the amulet at Ondine's feet
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Act 2. No. 8. Finale. Beatrice thorws the amulet at Ondine's feet
3:13
37
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Act 3. No. 1. Recitativo. Palemon and Beatrice are to be married
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Act 3. No. 1. Recitativo. Palemon and Beatrice are to be married
2:23
38
3:59
39
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Act 3. No. 2. Allegro moderato, con eleganza - Allegro. Beatrice comes into the hall
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Act 3. No. 2. Allegro moderato, con eleganza - Allegro. Beatrice comes into the hall
1:26
40
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Act 3. No. 3. Pas de seize. a. Entrée. The wedding guests arrive
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Act 3. No. 3. Pas de seize. a. Entrée. The wedding guests arrive
1:17
42
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Act 3. No. 3. Pas de seize. b. Variation. Women's Dance
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Act 3. No. 3. Pas de seize. b. Variation. Women's Dance
1:12
43
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Act 3. No. 3. Pas de seize. c. Variation. Adagio - Allegro brillante. Men's Dance
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Act 3. No. 3. Pas de seize. c. Variation. Adagio - Allegro brillante. Men's Dance
1:51
44
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Act 3. No. 3. Pas de seize. d. Variation. Beatrice's Dance
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Act 3. No. 3. Pas de seize. d. Variation. Beatrice's Dance
1:7
45
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Act 3. No. 3. Pas de seize. e. Coda. Andante - Vivace - Largo solenne
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Act 3. No. 3. Pas de seize. e. Coda. Andante - Vivace - Largo solenne
1:36
46
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Act 3. No. 4. Scène. Tirrenio enters dressed as the ambassador of a Mediterranean court and bows to
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Act 3. No. 4. Scène. Tirrenio enters dressed as the ambassador of a Mediterranean court and bows to
33
47
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Act 3. No. 5. Divertissement. a. Entrée. Allegro brillante
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Act 3. No. 5. Divertissement. a. Entrée. Allegro brillante
36
48
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Act 3. No. 5. Divertissement. b. Pas de six. Lo stesso tempo
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Act 3. No. 5. Divertissement. b. Pas de six. Lo stesso tempo
51
49
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Act 3. No. 5. Divertissement. c. Pas de trois 1. Meno mosso
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Act 3. No. 5. Divertissement. c. Pas de trois 1. Meno mosso
56
50
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Act 3. No. 5. Divertissement. d. Pas de trois 2
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Act 3. No. 5. Divertissement. d. Pas de trois 2
56
51
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Act 3. No. 5. Divertissement e. Pas de dix-huit
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Act 3. No. 5. Divertissement e. Pas de dix-huit
1:10
52
1:
53
1:
54
48
55
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Act 3. No. 5. Divertissement. i. Pas de six
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Act 3. No. 5. Divertissement. i. Pas de six
58
56
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Act 3. No. 5. Divertissement. j. Coda. Vivace - Valse
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Act 3. No. 5. Divertissement. j. Coda. Vivace - Valse
2:
57
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Act 3. No. 6. Pas d'action. Moderato. At a sign from Tirrenio
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Act 3. No. 6. Pas d'action. Moderato. At a sign from Tirrenio
51
58
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Act 3. No. 6. Variation. Quarter note = 126. Tirrenio takes off his mask
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Act 3. No. 6. Variation. Quarter note = 126. Tirrenio takes off his mask
3:10
59
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Act 3. No. 7. Finale. Quarter note = ca. 96. From the depths of the park Ondine comes
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Act 3. No. 7. Finale. Quarter note = ca. 96. From the depths of the park Ondine comes
1:8
61
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Act 3. No. 7. Finale. Variation. Palemon, in a mixture of despair and joy
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Act 3. No. 7. Finale. Variation. Palemon, in a mixture of despair and joy
1:29
62
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Act 3. No. 7. Finale. Pas de deux. Palemon kisses her
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Act 3. No. 7. Finale. Pas de deux. Palemon kisses her
3:38
63
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Act 3. No. 7. Finale. Eglogue. The sea engulfs the hall
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Act 3. No. 7. Finale. Eglogue. The sea engulfs the hall
1:53
64
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