Composer

:

E.J. Moeran

Genre

:

Choral

Style

:

Magnificat

Average_duration

:

5:15

Movement_count

:

2

Movement ....

The Magnificat & Nunc Dimittis in D major is a choral work composed by E.J. Moeran in 1932. It was premiered on 22nd May 1932 at St. George's Church in Hanover Square, London. The work is divided into two movements, the Magnificat and the Nunc Dimittis, which are based on the biblical texts of the same names. The Magnificat is a hymn of praise that Mary sings after being told by the angel Gabriel that she will give birth to Jesus. Moeran's setting of the Magnificat is characterized by its use of rich harmonies and lush textures. The opening section is sung by the choir in unison, with the organ providing a gentle accompaniment. The music gradually builds in intensity as the choir sings of God's mercy and power. The middle section features a solo soprano singing the words "He hath put down the mighty from their seat," which is followed by a section for the full choir that is marked by its soaring melodies and intricate harmonies. The Magnificat concludes with a return to the opening material, with the choir singing in unison once again. The Nunc Dimittis is a hymn of thanksgiving that is traditionally sung by Simeon after he sees the infant Jesus in the temple. Moeran's setting of the Nunc Dimittis is more subdued than the Magnificat, with a focus on the text's themes of peace and rest. The opening section is sung by the choir in unison, with the organ providing a gentle accompaniment. The middle section features a solo bass singing the words "For mine eyes have seen thy salvation," which is followed by a section for the full choir that is marked by its gentle harmonies and delicate textures. The Nunc Dimittis concludes with a return to the opening material, with the choir singing in unison once again. Overall, Moeran's Magnificat & Nunc Dimittis in D major is a beautiful and expressive choral work that showcases the composer's skill at creating rich harmonies and lush textures. Its two movements are marked by their contrasting moods and themes, with the Magnificat being more exuberant and the Nunc Dimittis being more introspective. The work remains a popular choice for choirs and church services to this day.

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