Composer

:

Edward Higginbottom

Genre

:

Choral

Style

:

Choral

Average_duration

:

2:30

Crux fidelis (after Handel's Ombra mai fu) is a choral work composed by Edward Higginbottom, an English conductor and musicologist. The piece is a setting of the Latin hymn "Crux fidelis" and is based on the melody of Handel's aria "Ombra mai fu" from his opera Serse. The composition was premiered on March 25, 2016, at the Church of St. Mary Magdalen in Oxford, England, by the choir of New College, Oxford, under the direction of Higginbottom himself. The piece is divided into four movements, each with its own distinct character and mood. The first movement, "Crux fidelis," is a solemn and contemplative setting of the hymn's opening verse. The choir sings in unison, accompanied by a simple organ accompaniment. The second movement, "O dulcis Jesu," is a more lively and joyful setting of the hymn's second verse. The choir sings in harmony, with the organ providing a more complex accompaniment. The third movement, "Salve, salve, victima," is a dramatic and intense setting of the hymn's third verse. The choir sings in a powerful and declamatory style, with the organ providing a driving and rhythmic accompaniment. The final movement, "Crux ave, spes unica," is a peaceful and reflective setting of the hymn's final verse. The choir sings in harmony, with the organ providing a gentle and soothing accompaniment. Overall, Crux fidelis (after Handel's Ombra mai fu) is a beautiful and moving choral work that combines the timeless melody of Handel's aria with the rich and expressive language of the Latin hymn. Higginbottom's skillful composition and arrangement create a powerful and emotional experience for both performers and listeners alike.

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