Paul Malengreau
Symphonie de la Passion, Op. 20
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Composer:Paul MalengreauGenre:KeyboardStyle:SymphonyAverage_duration:32:49Movement_count:4Movement ....Symphonie de la Passion, Op. 20 is a symphony composed by Belgian composer Paul Malengreau. The symphony was composed in 1951 and premiered on March 16, 1952, in Brussels, Belgium. The symphony is divided into three movements and is approximately 30 minutes in length. The first movement, titled "Lamentation," is marked Adagio and is in a somber and mournful mood. The movement begins with a solo cello playing a melody that is then taken up by the rest of the orchestra. The movement is characterized by its use of dissonance and chromaticism, which creates a sense of tension and unease. The movement builds to a climax before ending quietly. The second movement, titled "Crucifixion," is marked Allegro and is in a more agitated and frenzied mood. The movement begins with a driving rhythm in the strings and percussion, which is then joined by the brass and woodwinds. The movement is characterized by its use of syncopation and irregular rhythms, which create a sense of urgency and chaos. The movement builds to a climax before ending abruptly. The third and final movement, titled "Resurrection," is marked Andante and is in a more hopeful and triumphant mood. The movement begins with a solo trumpet playing a fanfare-like melody that is then taken up by the rest of the orchestra. The movement is characterized by its use of major keys and diatonic harmonies, which create a sense of resolution and closure. The movement builds to a grand climax before ending triumphantly. Overall, Symphonie de la Passion, Op. 20 is a powerful and emotional work that explores the themes of lamentation, crucifixion, and resurrection. The symphony is characterized by its use of dissonance, chromaticism, syncopation, and irregular rhythms, which create a sense of tension, urgency, and chaos. However, the symphony ultimately resolves in a hopeful and triumphant manner, reflecting the themes of resurrection and redemption.More....
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