Composer

:

Franz Liszt

Genre

:

Keyboard

Style

:

Etude

Compose Date

:

1838 - 1840

Publication Date

:

1840

Average_duration

:

2:07

Franz Liszt's "Arpeggio in E major" is the fourth of the six "Transcendental Paganini Etudes," S. 140/4, composed in 1851. The piece premiered in Weimar, Germany, on August 29, 1851, with Liszt himself performing. The etude is characterized by its rapid arpeggios, which are played in a continuous stream throughout the piece. The arpeggios are played in a variety of patterns and rhythms, creating a sense of constant motion and energy. The piece is in E major and is marked "Allegretto," with a tempo of around 120 beats per minute. The etude is divided into three main sections, each with its own distinct character. The first section begins with a simple arpeggio pattern that gradually builds in intensity and complexity. The second section is more lyrical, with a melody that is played over a series of arpeggios. The melody is then repeated in a higher register, accompanied by a more elaborate arpeggio pattern. The final section is the most virtuosic, with a rapid and complex arpeggio pattern that builds to a dramatic climax before ending with a flourish. Overall, "Arpeggio in E major" is a challenging and impressive piece that showcases Liszt's technical prowess as a pianist and composer. The continuous stream of arpeggios creates a sense of perpetual motion and energy, while the various patterns and rhythms keep the piece interesting and engaging. The piece is a testament to Liszt's ability to push the boundaries of piano technique and create music that is both technically demanding and musically satisfying.

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