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Franz Schreker
Lieder (3) von Vincenz Zusner: Noch dasselbe keimen
Released Album
 
Works Info
Composer
:
Franz Schreker
Genre
:
Vocal
Style
:
Vocal Music
Compose Date
:
1899
Average_duration
:
1:24
Franz Schreker composed "Lieder (3) von Vincenz Zusner: Noch dasselbe keimen" in 1909. The piece premiered in Vienna on January 23, 1910, with the composer himself conducting. The three movements of the piece are "Noch dasselbe keimen," "Ich bin ein Fremdling," and "Ich bin ein Fremdling (Variationen)." The first movement, "Noch dasselbe keimen," is a setting of a poem by Vincenz Zusner. The text speaks of the cyclical nature of life and the inevitability of death. Schreker's music reflects the melancholic tone of the poem, with a slow and mournful melody in the piano and a haunting vocal line. The use of chromaticism and dissonance adds to the sense of unease and sadness. The second movement, "Ich bin ein Fremdling," is also a setting of a Zusner poem. This text speaks of the feeling of being a stranger in a foreign land and the longing for home. Schreker's music captures the sense of displacement and yearning in the text, with a wandering melody in the piano and a plaintive vocal line. The use of modulations and unexpected harmonies adds to the sense of disorientation. The final movement, "Ich bin ein Fremdling (Variationen)," is a variation on the second movement. Schreker takes the original melody and transforms it through a series of variations, each one exploring a different aspect of the text. The variations range from playful to mournful, reflecting the different emotions expressed in the poem. The use of counterpoint and complex harmonies adds to the richness and depth of the music. Overall, "Lieder (3) von Vincenz Zusner: Noch dasselbe keimen" is a powerful and emotional work that showcases Schreker's skill as a composer. The music is complex and challenging, but also deeply expressive and moving. It is a testament to the enduring power of the art song tradition and the ability of music to capture the complexities of the human experience.
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