Composer

:

György Deak Bárdos

Genre

:

Choral

Style

:

Chorus

'Crucifigatur' is a choral work composed by György Deak Bárdos in 1951. The piece was premiered in Budapest, Hungary in the same year. It is a four-movement work that is characterized by its use of dissonance and chromaticism. The first movement, titled "Crucifigatur," begins with a somber and mournful melody sung by the choir. The text is taken from the Gospel of Matthew and describes the crucifixion of Jesus Christ. The music is characterized by its use of dissonant harmonies and chromaticism, which creates a sense of tension and unease. The second movement, titled "Stabat Mater," is a setting of the medieval Latin hymn of the same name. The text describes the sorrow of Mary, the mother of Jesus, as she watches her son being crucified. The music is slow and mournful, with the choir singing in unison for much of the movement. The third movement, titled "Eli, Eli, Lama Sabachthani," is a setting of the words spoken by Jesus on the cross. The text is taken from the Gospel of Matthew and translates to "My God, my God, why have you forsaken me?" The music is characterized by its use of dissonant harmonies and chromaticism, which creates a sense of despair and hopelessness. The final movement, titled "Consummatum Est," is a setting of the words spoken by Jesus as he dies on the cross. The text is taken from the Gospel of John and translates to "It is finished." The music is slow and mournful, with the choir singing in unison for much of the movement. The piece ends with a final chord that is unresolved, leaving the listener with a sense of unease and uncertainty. Overall, 'Crucifigatur' is a powerful and emotional work that captures the sorrow and despair of the crucifixion of Jesus Christ. Its use of dissonance and chromaticism creates a sense of tension and unease, while its slow and mournful melodies evoke a sense of sorrow and mourning.

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